Bang Olufsen RL 60.2 Speakers Red Line 3-way Bass Reflex Resin with rarer white edged cabinets Original straps with decals. Replacements dont have these Excellent grille cloth condition Stands and wall brackets available separately Manufactured: 1988 - 1992 Designer: David Lewis Colours: Grey The idea behind Beovox Red Line speakers was one of flexibility. A Red Line speaker was so flexible that it could be placed anywhere. On the ceiling, the wall, or on the floor. You could hang them semi-permanently on the wall, and if you had a party you could place them on the floor and thereby add extra emphasis to the bass. The different ways of placing them accentuated different frequencies. You could also tilt them if you chose to hang them on the wall. This allowed you to adjust the sound image and direct the sound right at your listening position. However, Red Line was more than merely flexible. It was an impressive bass reflex speaker with a revolutionary new cabinet that curved round the sound thereby eliminating irritating resonance because there were no parallel surfaces. Music that never stands still Red Line loudspeakers followed your music tastes right up the wall if you wanted! All models except the RL35 could be hung on the wall or be suspended from the ceiling; and, if your dancing feet wanted to make the most of the bass notes, then Red Line could be positioned on the floor, supported by the built-in floor stand. By using Red Line speakers, you werent plagued by cables that wrapped themselves around your feet like spaghetti either; Red Lines flexible spiral cables provided the decorative and practical answer. The shell was cast in a hard synthetic material and the shape that was devised for the range was characterised by the fact that it allowed for practically no resonance whatsoever. The replacement for Beovox RL 60 and a rather different one despite appearing very similar. The auxiliary bass radiator was gone and the 16cm woofers of the RL 60 were replaced by two 13cm units, mounted side by side on one of the outer panels, one of which acted as the midrange unit. There was a ducted port 6cm in diameter, the port being plastic and running across the width of the narrower dimension of the speaker. There was a 2.5cm tweeter which was mounted on one side of the central panel with the cross over being positioned on the other. When placed on the floor stands in the normal position with the longest side being vertical, this lead to the interesting configuration of the bass units being at the top, the tweeter in the middle and the bass reflex port at the bottom. The cabinet, in common with the rest of the Red Line range was of cast resin with heavy ribbing in the novel angled rear. The ribs in the long axis were filled with sound deadening material similar to that used in the car industry. The front of the cabinet was covered by cloth which was glued to the front panel and moulded over lettering on the front panel. A metal prop was built into the rear of the speaker and much was made of the flexibility with which these endowed the Red Line range. There were also separate floor stands and wall brackets and even ceiling brackets available. Connections were either by a 2 pin DIN plug, located at one corner, or by spring terminals in the recess for the stand. Later in the life of this model, the choice of having the rear cabinet finished in white as well as grey was offered. In the case of the white version, the famous “red line” became silver, though the name remained the same. The cloth grille remained available in grey only however. Looking totally different from their own and other manufacturers’ loudspeakers, the slightly ‘concave’ design allowed for greater flexibility of any other speakers in the range up to that time. In a cross between ‘normal’ speakers and ‘panel’ speakers, the RL range was produced in a variety of sizes and able to accommodate different power handling. For the RL45 this was 45 watts RMS and for the slightly larger RL60, a total of 60 watts RMS could be handled. An auxiliary bass radiator (ABR) or ‘drone cone’, was included to give the speakers that extra ‘punch’, especially at higher listening levels. Looking directly at the speaker the viewer would see a proud ‘Bang & Olufsen’ stip embossed vertically on its upper front. Manufactured from resin injection moulding the speakers’ cabinets were mid-grey in appearance with similarly-shaded grey cloth fronts, wrapped around with thin translucent strips of plastic. What determined their ‘RL’ or ‘Redline’ labelling however, was the thin red line painted right around the speakers’ casing. They looked very stylish and suggested modern electronics within. However, their technology was relatively orthodox. It was just their appearance which made them stand out and gave them flexibility unlike any other speakers in that they could be mounted on a wall, hung from a ceiling, or stood on the floor using their own specially-designed black metal floor stands. It was just the smallest in the range - the RL35 - which could not be affixed to a ceiling. The ceiling bracket was bought as an additional extra although the range all came fitted with an individual metal ‘prop’ to help support them at an angle on the floor which is where, so Bang & Olufsen said, that they performed their best. In practise this theory actually worked, although it was dependant on the type of floor on which they were placed as far as extra bass being brought about! The bass-reflex design allowed the produced sound to ‘curve’ around their non-parallel interiors thus, as the theory went, “eliminating irritating resonance”. It’s safe to say that these modern-looking speakers were immensely popular over the years and remained on the company’s product list for several years, undergoing just subtle changes further down the line. A little better equipped than the RL45, the Beovox RL60.2 was slightly deeper than its smaller partner. Looks-wise it had strong similarities although on its corner a DIN socket had been added to the original spring connector, thus allowing the user two methods of connection. Compared to the single woofer of the RL45, this larger speaker was fitted with two 130mm units to enhance the bass yet more although it still retained the single 25mm tweeter that the RL45 possessed. And like its compatriots the speaker was fitted with an Bass Reflex port to allow a fuller bass sound. Beovox RL 60.2 Passive Loudspeakers Product Specifications Type: 6513 (1988 - May 1992) Dimensions W x H x D: 54 x 40 x 18cm Weight 8.3 kg Long-term max. input power 75 W Maximum noise power 45 W Speaker impedance 8 ohms Frequency range 42 - 20,000 Hz Power at 96 dB SPL 2 watts Sensitivity 1 W 93 dB Distortion < 0.5 % Cabinet principle: Bass Reflex Woofer: 2 x 13cm Tweeter: 2.5cm Crossover frequency 350 Hz Net volume 19 litre Connections: spring terminals DIN socket

Lautsprecher Bang & Olufsen Paar B&O RED LINE 60 80er Jahre. Funktionieren einwandfrei, haben allerdings Gebrauchsspuren und kleinere Flecken auf dem Stoffbezug!Viel Spaß beim bieten.......:-)

I am selling a pair of B&O Redline speakers. 60W - Model: 6513 owned and used by me for over 15 years. great sound. only selling as I now work for a speaker company and ive upgraded. any questions please ask. Dimensions W x H x D: 54 x 40 x 18cmWeight 8.3 kg Ive posted lots of photos so you can see for yourself the condition. A few external marks, but its the sound thats important. original embossed B&O material on front. Wall mounts included. Please see other listings, of vintage/retro items. One pair available. Collection or postage. Located on the south coast, between Brighton and Worthing.

Bang Olufsen Beovox Redline speaker floor stand or wall brackets type 6034. Speakers NOT INCLUDED. Suitable for the bang and Olufsen redline range e.g. RL45 / RL 60 / RL6000. If the back of your speakers look like the last photo it should fit. Excellent condition they look like they have hardly been used. The grey feet look superb with only superficial marks on the black uprights if you look closely most of which wouldn’t be visible anyway The black bracket that the speakers hang on simply slides into the upright. As they are detachable they can also be fixed directly to a wall with 4 screws and the speakers can be hung on a wall without using the feet. Make sure you use suitable fixings (not included) and fix to a solid wall. Using the feet the speakers will hang on the black bracket without any fixings required.

FEW COSMETICS ON THE CLOTH BUT WORKS. CD_20T

Bang Olufsen RL 60.2 Speakers Red Line 3-way Bass Reflex Resin Original straps with decals. Replacements dont have these Excellent grille cloth condition, no snags or tears Stands available separately Manufactured: 1988 - 1992 Designer: David Lewis Colours: Grey The idea behind Beovox Red Line speakers was one of flexibility. A Red Line speaker was so flexible that it could be placed anywhere. On the ceiling, the wall, or on the floor. You could hang them semi-permanently on the wall, and if you had a party you could place them on the floor and thereby add extra emphasis to the bass. The different ways of placing them accentuated different frequencies. You could also tilt them if you chose to hang them on the wall. This allowed you to adjust the sound image and direct the sound right at your listening position. However, Red Line was more than merely flexible. It was an impressive bass reflex speaker with a revolutionary new cabinet that curved round the sound thereby eliminating irritating resonance because there were no parallel surfaces. Music that never stands still Red Line loudspeakers followed your music tastes right up the wall if you wanted! All models except the RL35 could be hung on the wall or be suspended from the ceiling; and, if your dancing feet wanted to make the most of the bass notes, then Red Line could be positioned on the floor, supported by the built-in floor stand. By using Red Line speakers, you werent plagued by cables that wrapped themselves around your feet like spaghetti either; Red Lines flexible spiral cables provided the decorative and practical answer. The shell was cast in a hard synthetic material and the shape that was devised for the range was characterised by the fact that it allowed for practically no resonance whatsoever. The replacement for Beovox RL 60 and a rather different one despite appearing very similar. The auxiliary bass radiator was gone and the 16cm woofers of the RL 60 were replaced by two 13cm units, mounted side by side on one of the outer panels, one of which acted as the midrange unit. There was a ducted port 6cm in diameter, the port being plastic and running across the width of the narrower dimension of the speaker. There was a 2.5cm tweeter which was mounted on one side of the central panel with the cross over being positioned on the other. When placed on the floor stands in the normal position with the longest side being vertical, this lead to the interesting configuration of the bass units being at the top, the tweeter in the middle and the bass reflex port at the bottom. The cabinet, in common with the rest of the Red Line range was of cast resin with heavy ribbing in the novel angled rear. The ribs in the long axis were filled with sound deadening material similar to that used in the car industry. The front of the cabinet was covered by cloth which was glued to the front panel and moulded over lettering on the front panel. A metal prop was built into the rear of the speaker and much was made of the flexibility with which these endowed the Red Line range. There were also separate floor stands and wall brackets and even ceiling brackets available. Connections were either by a 2 pin DIN plug, located at one corner, or by spring terminals in the recess for the stand. Later in the life of this model, the choice of having the rear cabinet finished in white as well as grey was offered. In the case of the white version, the famous “red line” became silver, though the name remained the same. The cloth grille remained available in grey only however. Looking totally different from their own and other manufacturers’ loudspeakers, the slightly ‘concave’ design allowed for greater flexibility of any other speakers in the range up to that time. In a cross between ‘normal’ speakers and ‘panel’ speakers, the RL range was produced in a variety of sizes and able to accommodate different power handling. For the RL45 this was 45 watts RMS and for the slightly larger RL60, a total of 60 watts RMS could be handled. An auxiliary bass radiator (ABR) or ‘drone cone’, was included to give the speakers that extra ‘punch’, especially at higher listening levels. Looking directly at the speaker the viewer would see a proud ‘Bang & Olufsen’ stip embossed vertically on its upper front. Manufactured from resin injection moulding the speakers’ cabinets were mid-grey in appearance with similarly-shaded grey cloth fronts, wrapped around with thin translucent strips of plastic. What determined their ‘RL’ or ‘Redline’ labelling however, was the thin red line painted right around the speakers’ casing. They looked very stylish and suggested modern electronics within. However, their technology was relatively orthodox. It was just their appearance which made them stand out and gave them flexibility unlike any other speakers in that they could be mounted on a wall, hung from a ceiling, or stood on the floor using their own specially-designed black metal floor stands. It was just the smallest in the range - the RL35 - which could not be affixed to a ceiling. The ceiling bracket was bought as an additional extra although the range all came fitted with an individual metal ‘prop’ to help support them at an angle on the floor which is where, so Bang & Olufsen said, that they performed their best. In practise this theory actually worked, although it was dependant on the type of floor on which they were placed as far as extra bass being brought about! The bass-reflex design allowed the produced sound to ‘curve’ around their non-parallel interiors thus, as the theory went, “eliminating irritating resonance”. It’s safe to say that these modern-looking speakers were immensely popular over the years and remained on the company’s product list for several years, undergoing just subtle changes further down the line. A little better equipped than the RL45, the Beovox RL60.2 was slightly deeper than its smaller partner. Looks-wise it had strong similarities although on its corner a DIN socket had been added to the original spring connector, thus allowing the user two methods of connection. Compared to the single woofer of the RL45, this larger speaker was fitted with two 130mm units to enhance the bass yet more although it still retained the single 25mm tweeter that the RL45 possessed. And like its compatriots the speaker was fitted with an Bass Reflex port to allow a fuller bass sound. Beovox RL 60.2 Passive Loudspeakers Product Specifications Type: 6513 (1988 - May 1992) Dimensions W x H x D: 54 x 40 x 18cm Weight 8.3 kg Long-term max. input power 75 W Maximum noise power 45 W Speaker impedance 8 ohms Frequency range 42 - 20,000 Hz Power at 96 dB SPL 2 watts Sensitivity 1 W 93 dB Distortion < 0.5 % Cabinet principle: Bass Reflex Woofer: 2 x 13cm Tweeter: 2.5cm Crossover frequency 350 Hz Net volume 19 litre Connections: spring terminals DIN socket

Bang Olufsen RL 60.2 Speakers Red Line 3-way Bass Reflex Resin Original straps. Excellent grille cloth condition, no snags or tears Stands available separately Manufactured: 1988 - 1992 Designer: David Lewis Colours: Grey, White The idea behind Beovox Red Line speakers was one of flexibility. A Red Line speaker was so flexible that it could be placed anywhere. On the ceiling, the wall, or on the floor. You could hang them semi-permanently on the wall, and if you had a party you could place them on the floor and thereby add extra emphasis to the bass. The different ways of placing them accentuated different frequencies. You could also tilt them if you chose to hang them on the wall. This allowed you to adjust the sound image and direct the sound right at your listening position. However, Red Line was more than merely flexible. It was an impressive bass reflex speaker with a revolutionary new cabinet that curved round the sound thereby eliminating irritating resonance because there were no parallel surfaces. Music that never stands still Red Line loudspeakers followed your music tastes right up the wall if you wanted! All models except the RL35 could be hung on the wall or be suspended from the ceiling; and, if your dancing feet wanted to make the most of the bass notes, then Red Line could be positioned on the floor, supported by the built-in floor stand. By using Red Line speakers, you werent plagued by cables that wrapped themselves around your feet like spaghetti either; Red Lines flexible spiral cables provided the decorative and practical answer. The shell was cast in a hard synthetic material and the shape that was devised for the range was characterised by the fact that it allowed for practically no resonance whatsoever. The replacement for Beovox RL 60 and a rather different one despite appearing very similar. The auxiliary bass radiator was gone and the 16cm woofers of the RL 60 were replaced by two 13cm units, mounted side by side on one of the outer panels, one of which acted as the midrange unit. There was a ducted port 6cm in diameter, the port being plastic and running across the width of the narrower dimension of the speaker. There was a 2.5cm tweeter which was mounted on one side of the central panel with the cross over being positioned on the other. When placed on the floor stands in the normal position with the longest side being vertical, this lead to the interesting configuration of the bass units being at the top, the tweeter in the middle and the bass reflex port at the bottom. The cabinet, in common with the rest of the Red Line range was of cast resin with heavy ribbing in the novel angled rear. The ribs in the long axis were filled with sound deadening material similar to that used in the car industry. The front of the cabinet was covered by cloth which was glued to the front panel and moulded over lettering on the front panel. A metal prop was built into the rear of the speaker and much was made of the flexibility with which these endowed the Red Line range. There were also separate floor stands and wall brackets and even ceiling brackets available. Connections were either by a 2 pin DIN plug, located at one corner, or by spring terminals in the recess for the stand. Later in the life of this model, the choice of having the rear cabinet finished in white as well as grey was offered. In the case of the white version, the famous “red line” became silver, though the name remained the same. The cloth grille remained available in grey only however. Looking totally different from their own and other manufacturers’ loudspeakers, the slightly ‘concave’ design allowed for greater flexibility of any other speakers in the range up to that time. In a cross between ‘normal’ speakers and ‘panel’ speakers, the RL range was produced in a variety of sizes and able to accommodate different power handling. For the RL45 this was 45 watts RMS and for the slightly larger RL60, a total of 60 watts RMS could be handled. An auxiliary bass radiator (ABR) or ‘drone cone’, was included to give the speakers that extra ‘punch’, especially at higher listening levels. Looking directly at the speaker the viewer would see a proud ‘Bang & Olufsen’ stip embossed vertically on its upper front. Manufactured from resin injection moulding the speakers’ cabinets were mid-grey in appearance with similarly-shaded grey cloth fronts, wrapped around with thin translucent strips of plastic. What determined their ‘RL’ or ‘Redline’ labelling however, was the thin red line painted right around the speakers’ casing. They looked very stylish and suggested modern electronics within. However, their technology was relatively orthodox. It was just their appearance which made them stand out and gave them flexibility unlike any other speakers in that they could be mounted on a wall, hung from a ceiling, or stood on the floor using their own specially-designed black metal floor stands. It was just the smallest in the range - the RL35 - which could not be affixed to a ceiling. The ceiling bracket was bought as an additional extra although the range all came fitted with an individual metal ‘prop’ to help support them at an angle on the floor which is where, so Bang & Olufsen said, that they performed their best. In practise this theory actually worked, although it was dependant on the type of floor on which they were placed as far as extra bass being brought about! The bass-reflex design allowed the produced sound to ‘curve’ around their non-parallel interiors thus, as the theory went, “eliminating irritating resonance”. It’s safe to say that these modern-looking speakers were immensely popular over the years and remained on the company’s product list for several years, undergoing just subtle changes further down the line. A little better equipped than the RL45, the Beovox RL60.2 was slightly deeper than its smaller partner. Looks-wise it had strong similarities although on its corner a DIN socket had been added to the original spring connector, thus allowing the user two methods of connection. Compared to the single woofer of the RL45, this larger speaker was fitted with two 130mm units to enhance the bass yet more although it still retained the single 25mm tweeter that the RL45 possessed. And like its compatriots the speaker was fitted with an Bass Reflex port to allow a fuller bass sound. Beovox RL 60.2 Passive Loudspeakers Product Specifications Type: 6513 (1988 - May 1992) Dimensions W x H x D: 54 x 40 x 18cm Weight 8.3 kg Long-term max. input power 75 W Maximum noise power 45 W Speaker impedance 8 ohms Frequency range 42 - 20,000 Hz Power at 96 dB SPL 2 watts Sensitivity 1 W 93 dB Distortion < 0.5 % Cabinet principle: Bass Reflex Woofer: 2 x 13cm Tweeter: 2.5cm Crossover frequency 350 Hz Net volume 19 litre Connections: spring terminals DIN socket

Bang Olufsen RL 60.2 Speakers Red Line 3-way Bass Reflex Resin with rarer white edged cabinets Original straps with decals. Replacements dont have these Excellent grille cloth condition Stands and wall brackets available separately Manufactured: 1988 - 1992 Designer: David Lewis Colours: Grey The idea behind Beovox Red Line speakers was one of flexibility. A Red Line speaker was so flexible that it could be placed anywhere. On the ceiling, the wall, or on the floor. You could hang them semi-permanently on the wall, and if you had a party you could place them on the floor and thereby add extra emphasis to the bass. The different ways of placing them accentuated different frequencies. You could also tilt them if you chose to hang them on the wall. This allowed you to adjust the sound image and direct the sound right at your listening position. However, Red Line was more than merely flexible. It was an impressive bass reflex speaker with a revolutionary new cabinet that curved round the sound thereby eliminating irritating resonance because there were no parallel surfaces. Music that never stands still Red Line loudspeakers followed your music tastes right up the wall if you wanted! All models except the RL35 could be hung on the wall or be suspended from the ceiling; and, if your dancing feet wanted to make the most of the bass notes, then Red Line could be positioned on the floor, supported by the built-in floor stand. By using Red Line speakers, you werent plagued by cables that wrapped themselves around your feet like spaghetti either; Red Lines flexible spiral cables provided the decorative and practical answer. The shell was cast in a hard synthetic material and the shape that was devised for the range was characterised by the fact that it allowed for practically no resonance whatsoever. The replacement for Beovox RL 60 and a rather different one despite appearing very similar. The auxiliary bass radiator was gone and the 16cm woofers of the RL 60 were replaced by two 13cm units, mounted side by side on one of the outer panels, one of which acted as the midrange unit. There was a ducted port 6cm in diameter, the port being plastic and running across the width of the narrower dimension of the speaker. There was a 2.5cm tweeter which was mounted on one side of the central panel with the cross over being positioned on the other. When placed on the floor stands in the normal position with the longest side being vertical, this lead to the interesting configuration of the bass units being at the top, the tweeter in the middle and the bass reflex port at the bottom. The cabinet, in common with the rest of the Red Line range was of cast resin with heavy ribbing in the novel angled rear. The ribs in the long axis were filled with sound deadening material similar to that used in the car industry. The front of the cabinet was covered by cloth which was glued to the front panel and moulded over lettering on the front panel. A metal prop was built into the rear of the speaker and much was made of the flexibility with which these endowed the Red Line range. There were also separate floor stands and wall brackets and even ceiling brackets available. Connections were either by a 2 pin DIN plug, located at one corner, or by spring terminals in the recess for the stand. Later in the life of this model, the choice of having the rear cabinet finished in white as well as grey was offered. In the case of the white version, the famous “red line” became silver, though the name remained the same. The cloth grille remained available in grey only however. Looking totally different from their own and other manufacturers’ loudspeakers, the slightly ‘concave’ design allowed for greater flexibility of any other speakers in the range up to that time. In a cross between ‘normal’ speakers and ‘panel’ speakers, the RL range was produced in a variety of sizes and able to accommodate different power handling. For the RL45 this was 45 watts RMS and for the slightly larger RL60, a total of 60 watts RMS could be handled. An auxiliary bass radiator (ABR) or ‘drone cone’, was included to give the speakers that extra ‘punch’, especially at higher listening levels. Looking directly at the speaker the viewer would see a proud ‘Bang & Olufsen’ stip embossed vertically on its upper front. Manufactured from resin injection moulding the speakers’ cabinets were mid-grey in appearance with similarly-shaded grey cloth fronts, wrapped around with thin translucent strips of plastic. What determined their ‘RL’ or ‘Redline’ labelling however, was the thin red line painted right around the speakers’ casing. They looked very stylish and suggested modern electronics within. However, their technology was relatively orthodox. It was just their appearance which made them stand out and gave them flexibility unlike any other speakers in that they could be mounted on a wall, hung from a ceiling, or stood on the floor using their own specially-designed black metal floor stands. It was just the smallest in the range - the RL35 - which could not be affixed to a ceiling. The ceiling bracket was bought as an additional extra although the range all came fitted with an individual metal ‘prop’ to help support them at an angle on the floor which is where, so Bang & Olufsen said, that they performed their best. In practise this theory actually worked, although it was dependant on the type of floor on which they were placed as far as extra bass being brought about! The bass-reflex design allowed the produced sound to ‘curve’ around their non-parallel interiors thus, as the theory went, “eliminating irritating resonance”. It’s safe to say that these modern-looking speakers were immensely popular over the years and remained on the company’s product list for several years, undergoing just subtle changes further down the line. A little better equipped than the RL45, the Beovox RL60.2 was slightly deeper than its smaller partner. Looks-wise it had strong similarities although on its corner a DIN socket had been added to the original spring connector, thus allowing the user two methods of connection. Compared to the single woofer of the RL45, this larger speaker was fitted with two 130mm units to enhance the bass yet more although it still retained the single 25mm tweeter that the RL45 possessed. And like its compatriots the speaker was fitted with an Bass Reflex port to allow a fuller bass sound. Beovox RL 60.2 Passive Loudspeakers Product Specifications Type: 6513 (1988 - May 1992) Dimensions W x H x D: 54 x 40 x 18cm Weight 8.3 kg Long-term max. input power 75 W Maximum noise power 45 W Speaker impedance 8 ohms Frequency range 42 - 20,000 Hz Power at 96 dB SPL 2 watts Sensitivity 1 W 93 dB Distortion < 0.5 % Cabinet principle: Bass Reflex Woofer: 2 x 13cm Tweeter: 2.5cm Crossover frequency 350 Hz Net volume 19 litre Connections: spring terminals DIN socket

For sale is a Bang & Olufsen RL60.2 Redline Speakers BO Beovox 6513 RL 60.2 60w / 8 Ohm. This Used, but in good working condition . It showcases a few signs of wear with some marks and scratches, The covers have some small holes. Despite these cosmetic imperfections, the toaster remains fully functional and ready to use. Please view listing Photos , Read item descriptions and ask questions first before committing to buy. Whatever accessories that does not included in the listing photos does not come with this product. Please refer to listing photos as it is the part of description for further information on appearance and condition .You get exactly what you see in the images, for any possible missing parts or accessories. I do not list items with stock photos this is the actual photo of the item you will receive. If the item is listed as parts, faulty or not working ,then yo accept that the item is faulty and not work. In the unlikely event your item arrives with physical damage, we need to be notified within 24 hours of signing for the goods, whereupon we will immediately send a replacement, if one is available. We will then make a claim against the courier for damages, you will need to keep the original item with all original packaging for them to inspect it. We cannot accept any claims outside of this time frame .

Bang Olufsen RL60 red line speakers no straps Grilles a bit rough but work fine Classic B&O sound Collection from Birmingham by appointment Outside clean airzone free parking

Bang & Olufsen Red Line 60 Speaker Stands circa early1980s. These floor stands are rare now and hardly ever come up for sale. Very well made and in very good condition. The pair of stands weigh approximately 7kgs. Some slight marks to the dark grey paint, which were there when I bought the stands. However, these are not noticeable when fitted with speakers. The position of the speakers on the stands has been improved by fitting a small Russ Andrews oak cone foot to each mounting bracket. These allow the speakers to sit vertically on the stands, rather than leaning forwards, which for my ears, improved the already excellent sound quality. The cone feet are easily removed if not wanted. I paid £60 for these 14 years ago, so in my opinion they are now a rare bargain. They will be very well packaged. Obviously, the B&O TV stand in the photos is not included in the listing. Thanks very much for looking.

Bang & Olufsen RL6503 Beovox Redline 60 Speakers. Seem to be in very good cosmetic condition. Wall brackets and bolts included. Not tested, sold as seen, no returns. Due to weight of items this is collection only. UK bidders only.