The CD-5s is not only a high-end CD player but it is also an excellent tube preamplifier. The solution that puts both the player and the preamp in one chassis (also applied by Swiss Nagra, for example) yields shorter signal paths, definite subsystem synergy and it saves your money too. The rear panel hosts extended connectivity options therefore – additionally to what can be found at the CD-07s there are optical and AES/EBU digital outputs, another two pairs of RCA and XLR outputs and a switch that toggles the player’s phase between 0 and 180°. Far enough for the CD-5s to become a mastermind of any decent audio system. Examining the back of the unit one immediately understands that the CD5s isn’t a “regular CD player.” It has both digital and analog inputs. This means that the CD5s is designed to operate as a DAC and a preamp. Much is made of a choke-loaded power supply, good news in my experience, multiple stages of voltage regulators, and multiple transformers. The features even include “separate analog output stage for left and right channel,” which I take to mean “dual mono” or separate power supplies. According to the lengthy feature list in the following, volume control is in the analog domain. Did I avail myself of all these features? No. I did try the analog input with my phono stage, using the CD5s to direct-drive a power amp. My angle on any digital review is how it stacks up to analog system, which is my reference. Therefore, I did not mix and match computer sound cards, digital interconnects, other transports, etc. So what if it makes my lesser DVD and CD transports sound better? It’s not relevant since you will have different transports/sources and cables available to you. What is important is how the CD5s sounds playing CDs. I may be wrong, but I bet most buyers of the CD5s are going to put a CD in and play it, almost exclusively. As I was saying about a lengthy feature list, it has one: The volume is controlled in the analogue domain Logical sequenced soft-start power up for extended tube life Warm up function 0dB negative feedback (of any kind ) Ultra short signal path Simplest direct circuit path for purest musical sound and high reliability Low output impedance for driving long runs interconnect to an amplifier, and any tube or solid state power amp No solid state devices in the analog tube output (signal path ) Minimal discrete wiring for optimum signal propagation No followers or buffers in the signal path No DC servo that degrades the signal High quality parts throughout Fully hand assembled to insure the highest level of craftsmanship Separate analog output stage for left and right channel Burr Brown D/A converter Upsampling 24bit/192kHz and on/off switchable Digital input Analog input ( RCA & XLR ) USB 24/96kHz input Digital output 3 separate R-Core / Low noise – insulated power transformer for digital & analog Bridge tube rectification Dual choke – filtered power supply and coupled with special film caps Innovative power supply provides a high speed energy delivery on transients Separate and isolated power supplies over each stage of amplification Regulated DC filament supplies with soft start for 6H30 AC power filter to avoid noise and hash from entering into the unit. 10 separate voltage regulators Selected, premium quality passive components used in all applications High speed & high quality audiophile grade coupling capacitors High quality Teflon tube sockets with gold pins Superior capacitors ( MKP 1% ) High quality – RCA & XLR jack Gold-plated industrial grade PCB Backlit function buttons Modified suspension system to isolate the CD-transport from mechanical vibrations Anti-vibration magnetic integral CD-clamp system combined with dark acrylic CD-cover Front panel descriptions are engraved AC phase polarity control indicator The aluminum feet are resonance absorbing types Metal remote commander Chassis finish: black / chrome So, you are getting a solidly built piece with very high quality parts and materials, designed to be part of a system, or the heart of the system. What you do with it depends on whether you need a separate preamp to drive your amps, how many sources you have, whether digital is your only source, whether you have high-bit-rate sources, etc. Ayon’s attempt to satisfy as many users as possible is commendable, and noted. Chocolaty, With Tannins and a Bouquet of Kick-Ass My first impression of the CD5s was 75% warmth, 25% grit. Something like rough wool. I wasn’t sure what I was hearing. I liked it on some recordings, but many seemed to be missing some info, covered by the personality of the Ayon. It went this way for a month: a kind of love it, love it not, relationship. I was lazy though. I hadn’t investigated my assumptions. I can also liken the sound, before I played with the adjustments, to classic tube sound that had a little too much 2nd order distortion, overlaid with the noise from carbon comp resistors. The sound of those classic pieces are warm, but have a slightly dirty character from the noise. The choice of the 12ax7 exacerbates the noise issue in classic gear, where the 6h30 tube is closer to the sound of an FET than to a 12ax7. My assumptions were that the various features, like high/low output switch, upsampling, phase 0/180 degrees, volume control setting, etc,,, did not affect the sound. Just the opposite happens. Various changes in these settings produced quite dramatic changes in detail retrieval and naturalness, from overly warm and a little dirty, to very near as good as a CD player can sound. Because the various options produced quite different results, tweaking the controls can fine tune the player for various tastes. However, if an analytical sound is your “thing”, you’ll find no adjustment or setting that turns the CD5s into a hyper-fi piece that can tell you if the patrons in the club were drinking single malt scotch, or a blend. I was thinking about an addendum. After I submitted the review, I put in a rebuilt transistor amp and drove it with the CD player. The results were surprising. First, the transistor amp has a tube-unfriendly input impedance. Yet, the CD5s had zero problems with the load and could drive it to full output, with full frequency extension, without difficulty. Second, eliminating the preamp or the front end of an integrated amp or a passive preamp somewhat sharpened the focus while keeping the pretty tonal balance. The CD5s is a CD player with built-in preamp. If you drive a preamp or integrated amp with the CD5s, you are driving a preamp with a preamp, which doesn’t make any sense. Therefore, the recommended use for best sound is direct-driving an amp. Eliminating any/all further switching and gain controls opens the sound up and pushes the CD5s playback closer to analog and possibly state-of-the-art for CD digital. Not only did the Ayon have upsampling, but there were added variables of the volume control and the switches on the back, most notably one that says GAIN). Thoroughness dictated that I investigate things further. The results, for this system, were that upsampling was bad, high gain was good, the preamp gain has a sweet spot at about -20, and my system was in phase (switch set to 0º, not 180º). Lucky you, I could’ve spent 500 words on that. The biggest difference was the gain switch, wherein the difference in clarity between low and high gain wasn’t subtle in my system. What does that little switch do? If it’s analog, it’s probably switching a resistor. Is it possible that the mere addition, or substitution, of a resistor can be that audible? Anyway, it is audible, and wide open (high gain) is how you should run the Ayon. The sound of the Ayon CD5s is different from that of the Ayon preamps, amps and integrated amps, which are almost perfectly balanced. The CD5s has a personality. It’s warm, which is probably the first thing you will notice. However, the sound isn’t dark. It’s just warm. The bass is slightly prominent; the midrange is gutsy and vigorous, like real life; the deep bass happens when it’s supposed to happen; and the treble is a beautiful golden hue. The tonal balance of the Ayon is very close to that of my local symphonic hall, the Meyerson in Dallas. Actually, it’s closer to Bass (like the fish) Hall in Ft Worth, but I don’t know of any commercially available recordings that present the sound of Bass Hall. On the other hand, Keith Johnson has done a spectacular job of capturing the sound of the Meyerson in recordings of the Dallas Wind Symphony and Turtle Creek Chorale. If you know those recordings, then you can imagine the sound of the Ayon. In contrast, the Ayon amps are similar to Symphony Hall in Boston. Nearly perfect, that is. Like all other CD players I have heard, depth is somewhat lacking when compared to good analog or extremely good high-bit-rate digital. That’s not a shock to me. (I’m a digital guy, imagine the stress I get editing this. And it gets more … intense. – Pub.) How it compares to other players though, is enlightening. Image depth was better than any CD playback I’ve heard. It’s more accurate than my favorite DACs, the Audio Note UK. The Audio Note DACs are also warm, but have more distortion and color than the Ayon. Playing a compact disc, the CD5s nearly fooled me into thinking it was analog, and from me, that’s praise. Taken with the warm balance, the sound of the CD5s is very analog-like. There are more accurate players available, but all they do is call attention to the shortcomings of the source. Whether the depth is engineered by Ayon isn’t important. It does a great job at depth. Image width, if you were paying attention to the architecture of the analog output, should be state-of-the-art, and it is. Having dual mono analog outputs means separation should be as good as it gets, and it is. Images weren’t etched or hyper-real, which doesn’t happen in real life anyway. The imaging was more akin to that of a concert hall, where you can sense direction, but where the diffuse soundfield of a concert hall tends to mask exact placement, the Ayon’s image placement was more certain. There remains the warmth and glow of a concert hall sound. Before you think I’m saying it makes everything sound like classical music, hold up. I saw Neil Young at the Meyerson (solo—no Crazy Horse), and it managed to sound like Neil Young, despite the beautiful decay. The same can be said for the Ayon. The sound is more forgiving than analytical, which is to be preferred if you have a large collection. It didn’t dress up ugly sounding discs to the point they sounded good. It is transparent enough to hear recording faults, but no so much that it reduces the number of playable CDs in your collection. On the contrary, it is much better than the vast majority at making pleasurable as many recordings as possible. Tangent: I wonder why none of the digital player companies put a “pretty” button on their players to make ugly recordings cozier? If there were a way of undoing the damage done by recording and mastering engineers, wouldn’t we want it? (Whoa, what a can of worms. Phillip, Phillip. – Pub.) What the CD5s does to improve CD sound, where it is superior to most digital and analog sources I know, is grid itself with a ballsy output stage. The balanced and tubed output can reproduce anything your CD collection throws at it. Because it has low output impedance, it can drive any properly designed cable, amp or preamp. All budget players, and a good many high-end models, drop the ball on the output section. The dynamic range on CDs, and the difference in overall level, can be dramatic. Analog disc cutting puts limitations on dynamic range and overall level. It’s where the CD is superior to all but the most advanced LPs, namely half speed mastered 45 rpm. (I live! – Pub.) Most CD output sections will crap out on loud passages. Others have too much noise for low-level information. I wouldn’t at all be surprised if poor analog design is as much responsible for bad sounding digital, as are the artifacts of the digital process. Better than any other digital source I’ve heard, the CD5s lets you hear dynamic contrasts. It can, and probably will, stress your amps and/or speakers. When playing some of my friend’s mixes, I was sent running to the volume control on multiple occasions. Every other digital source I’ve used has, more or less, squashed down the dynamic range and compressed tracks, lending a similarity to everything they reproduce. I imagine that the CD5s’s digital goodness (low jitter?) has something to do with it, but I’m going to say it’s mostly the result of a beefy output. When called upon, the CD5s will kick your ass, or your system’s. The textures are mostly accurate. It does warm things up, and in the process makes basses and cellos more wooden-y. Trumpets are a little more bronze-y. Horns and trombones are more guttural, with slightly more bark. What it did for John Hartman and John Coltrane makes the CD5s worth owning. It did the same favors for Dietrich Fischer-Dieskau. It seems purpose-built for tenor sax and baritones. Very good stuff! It’s enough of a bonus for me to make it a recommended component. It does just fine on female voices, but most high-end equipment does. On the other hand, many high-end pieces strip the power from Coltrane, Fischer-Dieskau, and the powerful sound of Eric Dolphy on Bass Clarinet, and the bass of Jaco Pastorius. Charismatic seems a good word to describe the presentation. I don’t listen to audiophile dreck like Patricia Barber, so I can’t say how it sounds on those kinds of recordings. On the other hand, Ella, Sarah, Billie, Dusty, etc.., sounded fabulous. Not that they needed any help sounding fabulous; they sound good on an AM radio, boundless as their voices and talents were. The Ayon seemed very even-handed on most female vocals, while slightly warming up the sound of shrill sopranos. Thank God — my personal hell is a choir with three times as many sopranos as altos, tenors and basses—yuck!!! If you are into crooners, or the best jazz songstresses, you absolutely will not be disappointed. This is as good as I’ve heard from any digital. A small miracle worked by this player, one that I thought not possible, is making the 6H30 sound good. With all the talk of super tubes and such, it seems that designers were taken in by specs on paper. Hold on. Isn’t this high-end audio, where specs don’t tell the whole story? (Heretical! – Pub.) Well, most designs with the 6H30 sound decidedly threadbare to me. It makes the warmth of the Ayon that much more impressive. The 6H30 has plucked out my eyes in other designs. With a couple exceptions, the Ayon manages to use the 6H30 and get a sound that is closer to a really good tube, like a 6SN7 or 7199, which are low distortion tubes, regardless of how much current they carry. Applying the same logic that the specs of the 6H30 are “best” to power tubes, the only “good” tube would be the 6C33C. It’s a flawed and stupid logic. However, the designers at Ayon make the 6H30 sound really good. Maybe the other designers are dumb? Hmmm. It’s possible. (My Summary Apologies to the entire industry to follow. – Pub.) How to turn a Ford into a Ferrari Well, you can’t do it. A Ford is a Ford. The inclusion of upsampling is an interesting option for some, though I’ve never heard upsampling do anything beneficial. Being able to switch between non-upsampled and upsampled, on the fly, put upsampling on the hot-seat. The effect was to add some very high frequency noise or sibilance. It’s way up there and some recordings didn’t reveal the difference. Music heavy with trumpets, cymbals and violins was most revealing of the non-benefits of upsampling. Instead of replacing or reconstructing more information, it merely added noise, or perhaps it’s a shadow, or maybe an echo. Whatever it is, it doesn’t work. This isn’t a critique of Ayon. Perhaps they feel obligated to include upsampling. If they thought it was “way better” than non-upsampled, I bet they wouldn’t have given an option to switch between the two. The bottom line is this: No amount of tricks, psychoacoustic mumbo-jumbo, harmonic distortion, smoke or mirrors can undo what 16/44 does to music. The only thing I have heard to make CD actually sound better was Keith Johnson’s HDCD, which sometimes sounds superior to SACD in my very unscientific investigations. The XRCDs are really nice, too. So, some of you might like the upsampled sound. Good for you. I don’t. I suspect most adherents of oversampling/upsampling don’t have a good analog front-end for comparison, or they don’t go to hear unamplified music. This isn’t Ayon’s fault. It’s just a bad idea that gained traction with customers. All that being said, I like Fords and Ferraris. Perhaps I should have investigated the CD5s as a DAC, but I really didn’t care to. I prefer to have the fewest number of digital boxes possible. In my system, I had the CD5s as the player of compact discs and a DVD player to play all other formats. It worked for me. My DVD player will not output undiluted SACD or DVDA, so I didn’t see the reason to down-convert and listen to the results, though I’m sure the results would be good. It seemed like a purely academic process, not a pleasurable one. I’m not a big Audio-Video guy, so I didn’t investigate how to best integrate it into a large AV system. I did try the built-in volume control with a budget phono stage and the results were very good. If you have two sources – CD and LP – then you might be able to skip a separate preamp and use the CD5s as preamp/CD player. The sound of the budget phono stage was improved when fed through the CD5s, and with the CD5s driving the amps. Eliminating extra boxes and cables can be very beneficial. Is it real? Does it interpret? The CD5s is not the most accurate CD player I’ve used. And I’m glad. The most accurate players I’ve used all sucked. Accurate players only accentuate the limitations of 16/44. On the other hand, since Redbook CD is such a disaster on purely technical grounds, why would one want an accurate portrayal of suckiness? (Everyone, stay calm. – Pub.) To a large extent, the CD5s mitigates the limitations of the CD, something which I welcome with open arms, and you should too. Along with the Audio Note DACs, this Ayon allows me to listen to, and enjoy, my compact discs. While there is a legitimate question as to whether the purpose-built CD player is a dinosaur, for many of us the answer is NO. I do not have the time to burn my discs to a computer or music server, or transfer them to a flash drive. I want to put a disc in and listen. I want it to be, ahem, analogous to playing a record, not consuming a commodity. Hard drives will crash, and there is a greater than zero chance that you won’t have your library backed up. Also, the imbeciles at Microsoft or whoever will stop supporting your operating system, which will eventually require you to move everything to a new server with new software and hardware. That is a huge pain in the ass, if you didn’t already know it. Also, there are some who still want a “player that does everything.” Well, there are players that do everything, but they do everything with mediocrity. If you have compared a good CD player to CD played back on a multi-format player, you know what I mean. It reminds me of the Space Shuttle or the F111 fighter: designed by a committee to do everything, but nothing especially well. If you are still buying SACDs or DVDAs, you should consider having multiple players; otherwise you are most likely handicapping the sound of your regular CDs in the process. My observations on multi-format players are somewhat limited, so perhaps there is a player that does everything equally well, or equally mediocre. What it does then is make the most of the format, with a little interpretation along the way. If you like sterile or uber-detailed sound, the CD5s will disappoint. On the other hand, if the gestalt is important, the CD5s will satisfy deeply. It says a lot about the Ayon CD5s, that it’s the first component my wife really wanted me to keep. All the others have been met with cool disinterest. She spent hours listening to the system and is only interested in what “sounds good.” She says the Ayon “sounds good.” Since you don’t know my wife, you don’t know how much of a compliment that is. The CD-5s is not only a high-end CD player but it is also an excellent tube preamplifier. The solution that puts both the player and the preamp in one chassis (also applied by Swiss Nagra, for example) yields shorter signal paths, definite subsystem synergy and it saves your money too. The rear panel hosts extended connectivity options therefore – additionally to what can be found at the CD-07s there are optical and AES/EBU digital outputs, another two pairs of RCA and XLR outputs and a switch that toggles the player’s phase between 0 and 180°. Far enough for the CD-5s to become a mastermind of any decent audio system. Examining the back of the unit one immediately understands that the CD5s isn’t a “regular CD player.” It has both digital and analog inputs. This means that the CD5s is designed to operate as a DAC and a preamp. Much is made of a choke-loaded power supply, good news in my experience, multiple stages of voltage regulators, and multiple transformers. The features even include “separate analog output stage for left and right channel,” which I take to mean “dual mono” or separate power supplies. According to the lengthy feature list in the following, volume control is in the analog domain. Did I avail myself of all these features? No. I did try the analog input with my phono stage, using the CD5s to direct-drive a power amp. My angle on any digital review is how it stacks up to analog system, which is my reference. Therefore, I did not mix and match computer sound cards, digital interconnects, other transports, etc. So what if it makes my lesser DVD and CD transports sound better? It’s not relevant since you will have different transports/sources and cables available to you. What is important is how the CD5s sounds playing CDs. I may be wrong, but I bet most buyers of the CD5s are going to put a CD in and play it, almost exclusively. As I was saying about a lengthy feature list, it has one: The volume is controlled in the analogue domain Logical sequenced soft-start power up for extended tube life Warm up function 0dB negative feedback (of any kind ) Ultra short signal path Simplest direct circuit path for purest musical sound and high reliability Low output impedance for driving long runs interconnect to an amplifier, and any tube or solid state power amp No solid state devices in the analog tube output (signal path ) Minimal discrete wiring for optimum signal propagation No followers or buffers in the signal path No DC servo that degrades the signal High quality parts throughout Fully hand assembled to insure the highest level of craftsmanship Separate analog output stage for left and right channel Burr Brown D/A converter Upsampling 24bit/192kHz and on/off switchable Digital input Analog input ( RCA & XLR ) USB 24/96kHz input Digital output 3 separate R-Core / Low noise – insulated power transformer for digital & analog Bridge tube rectification Dual choke – filtered power supply and coupled with special film caps Innovative power supply provides a high speed energy delivery on transients Separate and isolated power supplies over each stage of amplification Regulated DC filament supplies with soft start for 6H30 AC power filter to avoid noise and hash from entering into the unit. 10 separate voltage regulators Selected, premium quality passive components used in all applications High speed & high quality audiophile grade coupling capacitors High quality Teflon tube sockets with gold pins Superior capacitors ( MKP 1% ) High quality – RCA & XLR jack Gold-plated industrial grade PCB Backlit function buttons Modified suspension system to isolate the CD-transport from mechanical vibrations Anti-vibration magnetic integral CD-clamp system combined with dark acrylic CD-cover Front panel descriptions are engraved AC phase polarity control indicator The aluminum feet are resonance absorbing types Metal remote commander Chassis finish: black / chrome So, you are getting a solidly built piece with very high quality parts and materials, designed to be part of a system, or the heart of the system. What you do with it depends on whether you need a separate preamp to drive your amps, how many sources you have, whether digital is your only source, whether you have high-bit-rate sources, etc. Ayon’s attempt to satisfy as many users as possible is commendable, and noted. Chocolaty, With Tannins and a Bouquet of Kick-Ass My first impression of the CD5s was 75% warmth, 25% grit. Something like rough wool. I wasn’t sure what I was hearing. I liked it on some recordings, but many seemed to be missing some info, covered by the personality of the Ayon. It went this way for a month: a kind of love it, love it not, relationship. I was lazy though. I hadn’t investigated my assumptions. I can also liken the sound, before I played with the adjustments, to classic tube sound that had a little too much 2nd order distortion, overlaid with the noise from carbon comp resistors. The sound of those classic pieces are warm, but have a slightly dirty character from the noise. The choice of the 12ax7 exacerbates the noise issue in classic gear, where the 6h30 tube is closer to the sound of an FET than to a 12ax7. My assumptions were that the various features, like high/low output switch, upsampling, phase 0/180 degrees, volume control setting, etc,,, did not affect the sound. Just the opposite happens. Various changes in these settings produced quite dramatic changes in detail retrieval and naturalness, from overly warm and a little dirty, to very near as good as a CD player can sound. Because the various options produced quite different results, tweaking the controls can fine tune the player for various tastes. However, if an analytical sound is your “thing”, you’ll find no adjustment or setting that turns the CD5s into a hyper-fi piece that can tell you if the patrons in the club were drinking single malt scotch, or a blend. I was thinking about an addendum. After I submitted the review, I put in a rebuilt transistor amp and drove it with the CD player. The results were surprising. First, the transistor amp has a tube-unfriendly input impedance. Yet, the CD5s had zero problems with the load and could drive it to full output, with full frequency extension, without difficulty. Second, eliminating the preamp or the front end of an integrated amp or a passive preamp somewhat sharpened the focus while keeping the pretty tonal balance. The CD5s is a CD player with built-in preamp. If you drive a preamp or integrated amp with the CD5s, you are driving a preamp with a preamp, which doesn’t make any sense. Therefore, the recommended use for best sound is direct-driving an amp. Eliminating any/all further switching and gain controls opens the sound up and pushes the CD5s playback closer to analog and possibly state-of-the-art for CD digital. Not only did the Ayon have upsampling, but there were added variables of the volume control and the switches on the back, most notably one that says GAIN). Thoroughness dictated that I investigate things further. The results, for this system, were that upsampling was bad, high gain was good, the preamp gain has a sweet spot at about -20, and my system was in phase (switch set to 0º, not 180º). Lucky you, I could’ve spent 500 words on that. The biggest difference was the gain switch, wherein the difference in clarity between low and high gain wasn’t subtle in my system. What does that little switch do? If it’s analog, it’s probably switching a resistor. Is it possible that the mere addition, or substitution, of a resistor can be that audible? Anyway, it is audible, and wide open (high gain) is how you should run the Ayon. The sound of the Ayon CD5s is different from that of the Ayon preamps, amps and integrated amps, which are almost perfectly balanced. The CD5s has a personality. It’s warm, which is probably the first thing you will notice. However, the sound isn’t dark. It’s just warm. The bass is slightly prominent; the midrange is gutsy and vigorous, like real life; the deep bass happens when it’s supposed to happen; and the treble is a beautiful golden hue. The tonal balance of the Ayon is very close to that of my local symphonic hall, the Meyerson in Dallas. Actually, it’s closer to Bass (like the fish) Hall in Ft Worth, but I don’t know of any commercially available recordings that present the sound of Bass Hall. On the other hand, Keith Johnson has done a spectacular job of capturing the sound of the Meyerson in recordings of the Dallas Wind Symphony and Turtle Creek Chorale. If you know those recordings, then you can imagine the sound of the Ayon. In contrast, the Ayon amps are similar to Symphony Hall in Boston. Nearly perfect, that is. Like all other CD players I have heard, depth is somewhat lacking when compared to good analog or extremely good high-bit-rate digital. That’s not a shock to me. (I’m a digital guy, imagine the stress I get editing this. And it gets more … intense. – Pub.) How it compares to other players though, is enlightening. Image depth was better than any CD playback I’ve heard. It’s more accurate than my favorite DACs, the Audio Note UK. The Audio Note DACs are also warm, but have more distortion and color than the Ayon. Playing a compact disc, the CD5s nearly fooled me into thinking it was analog, and from me, that’s praise. Taken with the warm balance, the sound of the CD5s is very analog-like. There are more accurate players available, but all they do is call attention to the shortcomings of the source. Whether the depth is engineered by Ayon isn’t important. It does a great job at depth. Image width, if you were paying attention to the architecture of the analog output, should be state-of-the-art, and it is. Having dual mono analog outputs means separation should be as good as it gets, and it is. Images weren’t etched or hyper-real, which doesn’t happen in real life anyway. The imaging was more akin to that of a concert hall, where you can sense direction, but where the diffuse soundfield of a concert hall tends to mask exact placement, the Ayon’s image placement was more certain. There remains the warmth and glow of a concert hall sound. Before you think I’m saying it makes everything sound like classical music, hold up. I saw Neil Young at the Meyerson (solo—no Crazy Horse), and it managed to sound like Neil Young, despite the beautiful decay. The same can be said for the Ayon. The sound is more forgiving than analytical, which is to be preferred if you have a large collection. It didn’t dress up ugly sounding discs to the point they sounded good. It is transparent enough to hear recording faults, but no so much that it reduces the number of playable CDs in your collection. On the contrary, it is much better than the vast majority at making pleasurable as many recordings as possible. Tangent: I wonder why none of the digital player companies put a “pretty” button on their players to make ugly recordings cozier? If there were a way of undoing the damage done by recording and mastering engineers, wouldn’t we want it? (Whoa, what a can of worms. Phillip, Phillip. – Pub.) What the CD5s does to improve CD sound, where it is superior to most digital and analog sources I know, is grid itself with a ballsy output stage. The balanced and tubed output can reproduce anything your CD collection throws at it. Because it has low output impedance, it can drive any properly designed cable, amp or preamp. All budget players, and a good many high-end models, drop the ball on the output section. The dynamic range on CDs, and the difference in overall level, can be dramatic. Analog disc cutting puts limitations on dynamic range and overall level. It’s where the CD is superior to all but the most advanced LPs, namely half speed mastered 45 rpm. (I live! – Pub.) Most CD output sections will crap out on loud passages. Others have too much noise for low-level information. I wouldn’t at all be surprised if poor analog design is as much responsible for bad sounding digital, as are the artifacts of the digital process. Better than any other digital source I’ve heard, the CD5s lets you hear dynamic contrasts. It can, and probably will, stress your amps and/or speakers. When playing some of my friend’s mixes, I was sent running to the volume control on multiple occasions. Every other digital source I’ve used has, more or less, squashed down the dynamic range and compressed tracks, lending a similarity to everything they reproduce. I imagine that the CD5s’s digital goodness (low jitter?) has something to do with it, but I’m going to say it’s mostly the result of a beefy output. When called upon, the CD5s will kick your ass, or your system’s. The textures are mostly accurate. It does warm things up, and in the process makes basses and cellos more wooden-y. Trumpets are a little more bronze-y. Horns and trombones are more guttural, with slightly more bark. What it did for John Hartman and John Coltrane makes the CD5s worth owning. It did the same favors for Dietrich Fischer-Dieskau. It seems purpose-built for tenor sax and baritones. Very good stuff! It’s enough of a bonus for me to make it a recommended component. It does just fine on female voices, but most high-end equipment does. On the other hand, many high-end pieces strip the power from Coltrane, Fischer-Dieskau, and the powerful sound of Eric Dolphy on Bass Clarinet, and the bass of Jaco Pastorius. Charismatic seems a good word to describe the presentation. I don’t listen to audiophile dreck like Patricia Barber, so I can’t say how it sounds on those kinds of recordings. On the other hand, Ella, Sarah, Billie, Dusty, etc.., sounded fabulous. Not that they needed any help sounding fabulous; they sound good on an AM radio, boundless as their voices and talents were. The Ayon seemed very even-handed on most female vocals, while slightly warming up the sound of shrill sopranos. Thank God — my personal hell is a choir with three times as many sopranos as altos, tenors and basses—yuck!!! If you are into crooners, or the best jazz songstresses, you absolutely will not be disappointed. This is as good as I’ve heard from any digital. A small miracle worked by this player, one that I thought not possible, is making the 6H30 sound good. With all the talk of super tubes and such, it seems that designers were taken in by specs on paper. Hold on. Isn’t this high-end audio, where specs don’t tell the whole story? (Heretical! – Pub.) Well, most designs with the 6H30 sound decidedly threadbare to me. It makes the warmth of the Ayon that much more impressive. The 6H30 has plucked out my eyes in other designs. With a couple exceptions, the Ayon manages to use the 6H30 and get a sound that is closer to a really good tube, like a 6SN7 or 7199, which are low distortion tubes, regardless of how much current they carry. Applying the same logic that the specs of the 6H30 are “best” to power tubes, the only “good” tube would be the 6C33C. It’s a flawed and stupid logic. However, the designers at Ayon make the 6H30 sound really good. Maybe the other designers are dumb? Hmmm. It’s possible. (My Summary Apologies to the entire industry to follow. – Pub.) How to turn a Ford into a Ferrari Well, you can’t do it. A Ford is a Ford. The inclusion of upsampling is an interesting option for some, though I’ve never heard upsampling do anything beneficial. Being able to switch between non-upsampled and upsampled, on the fly, put upsampling on the hot-seat. The effect was to add some very high frequency noise or sibilance. It’s way up there and some recordings didn’t reveal the difference. Music heavy with trumpets, cymbals and violins was most revealing of the non-benefits of upsampling. Instead of replacing or reconstructing more information, it merely added noise, or perhaps it’s a shadow, or maybe an echo. Whatever it is, it doesn’t work. This isn’t a critique of Ayon. Perhaps they feel obligated to include upsampling. If they thought it was “way better” than non-upsampled, I bet they wouldn’t have given an option to switch between the two. The bottom line is this: No amount of tricks, psychoacoustic mumbo-jumbo, harmonic distortion, smoke or mirrors can undo what 16/44 does to music. The only thing I have heard to make CD actually sound better was Keith Johnson’s HDCD, which sometimes sounds superior to SACD in my very unscientific investigations. The XRCDs are really nice, too. So, some of you might like the upsampled sound. Good for you. I don’t. I suspect most adherents of oversampling/upsampling don’t have a good analog front-end for comparison, or they don’t go to hear unamplified music. This isn’t Ayon’s fault. It’s just a bad idea that gained traction with customers. All that being said, I like Fords and Ferraris. Perhaps I should have investigated the CD5s as a DAC, but I really didn’t care to. I prefer to have the fewest number of digital boxes possible. In my system, I had the CD5s as the player of compact discs and a DVD player to play all other formats. It worked for me. My DVD player will not output undiluted SACD or DVDA, so I didn’t see the reason to down-convert and listen to the results, though I’m sure the results would be good. It seemed like a purely academic process, not a pleasurable one. I’m not a big Audio-Video guy, so I didn’t investigate how to best integrate it into a large AV system. I did try the built-in volume control with a budget phono stage and the results were very good. If you have two sources – CD and LP – then you might be able to skip a separate preamp and use the CD5s as preamp/CD player. The sound of the budget phono stage was improved when fed through the CD5s, and with the CD5s driving the amps. Eliminating extra boxes and cables can be very beneficial. Is it real? Does it interpret? The CD5s is not the most accurate CD player I’ve used. And I’m glad. The most accurate players I’ve used all sucked. Accurate players only accentuate the limitations of 16/44. On the other hand, since Redbook CD is such a disaster on purely technical grounds, why would one want an accurate portrayal of suckiness? (Everyone, stay calm. – Pub.) To a large extent, the CD5s mitigates the limitations of the CD, something which I welcome with open arms, and you should too. Along with the Audio Note DACs, this Ayon allows me to listen to, and enjoy, my compact discs. While there is a legitimate question as to whether the purpose-built CD player is a dinosaur, for many of us the answer is NO. I do not have the time to burn my discs to a computer or music server, or transfer them to a flash drive. I want to put a disc in and listen. I want it to be, ahem, analogous to playing a record, not consuming a commodity. Hard drives will crash, and there is a greater than zero chance that you won’t have your library backed up. Also, the imbeciles at Microsoft or whoever will stop supporting your operating system, which will eventually require you to move everything to a new server with new software and hardware. That is a huge pain in the ass, if you didn’t already know it. Also, there are some who still want a “player that does everything.” Well, there are players that do everything, but they do everything with mediocrity. If you have compared a good CD player to CD played back on a multi-format player, you know what I mean. It reminds me of the Space Shuttle or the F111 fighter: designed by a committee to do everything, but nothing especially well. If you are still buying SACDs or DVDAs, you should consider having multiple players; otherwise you are most likely handicapping the sound of your regular CDs in the process. My observations on multi-format players are somewhat limited, so perhaps there is a player that does everything equally well, or equally mediocre. What it does then is make the most of the format, with a little interpretation along the way. If you like sterile or uber-detailed sound, the CD5s will disappoint. On the other hand, if the gestalt is important, the CD5s will satisfy deeply. It says a lot about the Ayon CD5s, that it’s the first component my wife really wanted me to keep. All the others have been met with cool disinterest. She spent hours listening to the system and is only interested in what “sounds good.” She says the Ayon “sounds good.” Since you don’t know my wife, you don’t know how much of a compliment that is. Get images that make Supersized seem small. THE simple solution for eBay sellers.

Ayon Scorpio High End Röhren Vollverstärker kein Originalverpackung vorhanden Technisch EinwandfreiOptisch , Siehe Fotos Um Ihre und unsere Zeit nicht unnütz zu vergeuden, beantworten wir keine Fragen zum Klang, z.B. wie das Gerät sich mit dem Lautsprecher x und den Kabeln y verhält. Noch Fragen?Bitte klicken Sie rechts oben im Kasten Angaben zum Verkäufer auf den Punkt Verkäufer kontaktieren!----------------------------------Please, it is not fair to ask what is the lowest price,if hes going to buy the items we sell, then send us the proposal via eBay and not via news,if we believe that the offer sie affordable accept it !!!thank you,---------------------------------------------------Bitte, es ist nicht fair zu fragen, was ist der niedrigste Preis,wenn sie vor haben aus unsere Artikel sortiment ernsthaft zu kaufen , dann senden Sie uns den Preisvorschlag über eBay und nicht über Nachrichten,wenn wir glauben dass ihre Preisvorschlag interessant ist, dann akzeptieren wir es !!!danke. -----------------------Hallo, eine Rückgabe ist kein problem,zu beachten ist, die Geräte soll in der gleiche Zustand sein wie sie erhalen haden, ohne Technische Problemen!!!ohne Kratzer oder sonstigen Gebrauchsspuren!!!der Verpackung soll der Original und kein Neutral sein!!!die Versandkosten ( Versand und Rückversand) trägt der Käufer!!!bei weiteren Fragen , stehen wir gerne zu Verfühgung. die Rückgabe geht an, W&W AudioDe Reulver 977544RT EnschedeNL------------------------------------------Wir geben drei Monaten Garantie für unsere Gebrauchte Geräte bei Neugeräte geben wir die Volle Garantie Erfolgt der Verkauf in Kommission für eine Privatperson ist weder die Mehrwertsteuer ausweisbar noch eine Gewährleistung gegeben ----------------------------------------- ------------------------------------------------------Kaufabwicklung: Die Zahlung sollte innerhalb 4 Werktage abgeschlossen sein. Oder Käufer und Verkäufer haben sich anders geeinigt, so können Sie zum Beispiel den Artikel Kaufen, durch eine Anzahlung sichern und zu einem späteren Zeitpunkt zahlen. (Diesbezüglich bitte im Vorfeld zu klären!)------------------------------------------------ Ein Hinweis noch zum mitgelieferten Zubehör: Auch wenn im serienmäßigen Lieferumfang eventuell mehr Zubehör enthalten sein sollte wird lediglich das mitgeliefert was unter Mitgeliefertes Zubehör auch aufgeführt ist International bidders please ask the shipping price to your country before placing a bid! Wir bieten eventuell auch Inzahlungnahme/Tausch von/mit anderen Geräten an. Eine Finanzierung ist leider nicht. Noch irgendwelche Fragen? Kein Problem, schickt uns eine Mail und wir werden diese selbstverständlich so schnell wie möglich beantworten. Bevor sie jedoch die Fragen stellen lesen sie sich bitte zuerst den Beschreibungstext sorgfältig durch, viele Fragen beantworten sich dann erfahrungsgemäß von selbst. Der Verkauf erfolgt differenzbesteuert gem. §25a UStG, daher kann die Umsatzsteuer auf der Rechnung nicht separat ausgewiesen werden.

Streamer / Dac / prampli Ayon S10 II Signature Appareil trs rcent, successeur du S10. Excellent tat. Vendu avec tous ces accessoires dorigine dont la tlcommande et lemballage. Achet doccasion chez un professionnel en Allemagne le 23/10/2022, il est garantie 1 an, soit jusquau 23/10/2023. Facture lappui bien-sr. Nhsitez pas me contacter pour plus dinformations si besoin. Pas mal dinformations aussi sur internet. Expdition possible en Europe uniquement. ################################## Streamer/Dac/Preamp Ayon S10 II Signature Very recent device, successor to the S10. Excellent condition. 220V. Sold with all these original accessories including the remote control and packaging. Bought second-hand from a professional in Germany (10/23/2022), guaranteed for 1 year. Supporting invoice of course. Dont hesitate to contact me for more informations if needed. Many informations are on internet. Shipping from France, to Europe only. Regards Compatible avec ; JBL ,Jeff Rowland Studer,Altec,Thiel Krell Accuphase Amcron Audio research Audax Bss Beyma Behringer Bryston Cayin Cabasse Conrad johnson Crown Denon Dynacor Dynavox Electrocompaniet Electrovoice Fostex Focal Flying mole Hiraga Hafler Harman kardon Infinity Jadis Jolida JBL Kora Luxman Melody Marantz Manley Mcintosh Mark Levinson NAD Nuforce Philips Pioneer Quad Rotel RCA RCF Sansui Sonic frontier Supravox Sony TAD Technics TEAC Threshold vitavox VTL Vitavox Western Wadia YBA Yaquin Yamaha Nakamichi Sansui Rotel Tascam mc intosh, audio rfrence, siare, cabasse, denon, advance acoustic, peerless , FIDETECH ...Accuphase, Acoustic, Energy Advance, Air Tight, Alchemist, Altec Lansing, Amcron, Anthem, Apertura, Arcam, ASR Atohm, Atoll, Audax, Audio Analogue, Labs, Physics Research, Technica, Audiolab, Audiomat, Audionet, Audioquest, Audiosynthesis ,Aura, Ayon Ayre, B&W, Bang & Olufsen, Bel Canto, Beyma vinyl, BO B&O Bose, Bowers And Wilkins, Brinkmann, Bryston, BW, Cabasse, Cairn Cambridge, Carat, Cardas, Cary, Castle Cayin, CEC C.E.C, Celestion, Cello, Chiltone, Chord, Classe Class, Conrad Johnson, Consonance Convertisseur, caisson de basse Creek Crest, Cyrus DAC Dali Davis DCS Drive Dynaudio Dynavoice EAR Yoshino Ecosse Elac Electrocompaniet Electrovoice Elipson Emotiva Epos Esoteric Esprit Etalon Exposure Fa Diese Fidetech Flac Focal Fostex Gamut Gemini Goldmund Goodmans Grado Grundig Gryphon Guru Harbeth platine Harman Kardon Heco Hegel Highland Hitachi Icos Infinity Jadis Jamo JBL Jean Marie Reynaud subwoofer Jecklin Jeff Rowland JMlab Tuner JM Lab JMR Jolida JVC Kef Kenwood KimberKlipsch Klipsh Kora Krell Lavardin Lecteur CD SACD Leben Linn Luxman M2Tech Magnepan Marantz Mark Levinson Martin ASD Logan Mcintosh Mc Intosh k7 Melody Meridian Mridian Metronome Technologie Micromega Mimetism Mission MIT Mixvibes ampli Monitor Moon Mordaunt Short Moscade MP3 MPC Mulidine hifi Musical Fidelity Myriad Nad Nagra Naim Nakamichi Note Numark Oehlbach Onken Onkyo Onyx Origo Ortofon Paradigm Pass Philips Piega hdmi Pioneer Plinius Primaluna empli Primare Proac Pro Ac Proton Quad Quadral Quellis Reference Rega hi fi Restek Rane Revel Revox Rogers Roksan Rotel Sansui Scandyna Serato Sennheiser Siare Shanling Shure Siltech Sim Audio Simaudio Sonic Frontiers Sonus Faber Sony Spendor Sphinx Stanton Stax Stello Sugden Sunfire Supravox Swans Synergistic Synthesis T+A Tandberg Tangent Tannoy Tara Labs Taralabs Teac Technics Totem

Ayon Scorpio High End Röhren Vollverstärker kein Originalverpackung vorhanden Technisch EinwandfreiOptisch , Siehe Fotos Um Ihre und unsere Zeit nicht unnütz zu vergeuden, beantworten wir keine Fragen zum Klang, z.B. wie das Gerät sich mit dem Lautsprecher x und den Kabeln y verhält. Noch Fragen?Bitte klicken Sie rechts oben im Kasten Angaben zum Verkäufer auf den Punkt Verkäufer kontaktieren!----------------------------------Please, it is not fair to ask what is the lowest price,if hes going to buy the items we sell, then send us the proposal via eBay and not via news,if we believe that the offer sie affordable accept it !!!thank you,---------------------------------------------------Bitte, es ist nicht fair zu fragen, was ist der niedrigste Preis,wenn sie vor haben aus unsere Artikel sortiment ernsthaft zu kaufen , dann senden Sie uns den Preisvorschlag über eBay und nicht über Nachrichten,wenn wir glauben dass ihre Preisvorschlag interessant ist, dann akzeptieren wir es !!!danke. -----------------------Hallo, eine Rückgabe ist kein problem,zu beachten ist, die Geräte soll in der gleiche Zustand sein wie sie erhalen haden, ohne Technische Problemen!!!ohne Kratzer oder sonstigen Gebrauchsspuren!!!der Verpackung soll der Original und kein Neutral sein!!!die Versandkosten ( Versand und Rückversand) trägt der Käufer!!!bei weiteren Fragen , stehen wir gerne zu Verfühgung. die Rückgabe geht an, W&W AudioDe Reulver 977544RT EnschedeNL------------------------------------------Wir geben drei Monaten Garantie für unsere Gebrauchte Geräte bei Neugeräte geben wir die Volle Garantie Erfolgt der Verkauf in Kommission für eine Privatperson ist weder die Mehrwertsteuer ausweisbar noch eine Gewährleistung gegeben ----------------------------------------- ------------------------------------------------------Kaufabwicklung: Die Zahlung sollte innerhalb 4 Werktage abgeschlossen sein. Oder Käufer und Verkäufer haben sich anders geeinigt, so können Sie zum Beispiel den Artikel Kaufen, durch eine Anzahlung sichern und zu einem späteren Zeitpunkt zahlen. (Diesbezüglich bitte im Vorfeld zu klären!)------------------------------------------------ Ein Hinweis noch zum mitgelieferten Zubehör: Auch wenn im serienmäßigen Lieferumfang eventuell mehr Zubehör enthalten sein sollte wird lediglich das mitgeliefert was unter Mitgeliefertes Zubehör auch aufgeführt ist International bidders please ask the shipping price to your country before placing a bid! Wir bieten eventuell auch Inzahlungnahme/Tausch von/mit anderen Geräten an. Eine Finanzierung ist leider nicht. Noch irgendwelche Fragen? Kein Problem, schickt uns eine Mail und wir werden diese selbstverständlich so schnell wie möglich beantworten. Bevor sie jedoch die Fragen stellen lesen sie sich bitte zuerst den Beschreibungstext sorgfältig durch, viele Fragen beantworten sich dann erfahrungsgemäß von selbst. Der Verkauf erfolgt differenzbesteuert gem. §25a UStG, daher kann die Umsatzsteuer auf der Rechnung nicht separat ausgewiesen werden.

Streamer / Dac / prampli Ayon S10 II Signature Appareil trs rcent, successeur du S10. Excellent tat. Vendu avec tous ces accessoires dorigine dont la tlcommande et lemballage. Achet doccasion chez un professionnel en Allemagne le 23/10/2022, il est garantie 1 an, soit jusquau 23/10/2023. Facture lappui bien-sr. Nhsitez pas me contacter pour plus dinformations si besoin. Pas mal dinformations aussi sur internet. Expdition possible en Europe uniquement. ################################## Streamer/Dac/Preamp Ayon S10 II Signature Very recent device, successor to the S10. Excellent condition. 220V. Sold with all these original accessories including the remote control and packaging. Bought second-hand from a professional in Germany (10/23/2022), guaranteed for 1 year. Supporting invoice of course. Dont hesitate to contact me for more informations if needed. Many informations are on internet. Shipping from France, to Europe only. Regards Compatible avec ; JBL ,Jeff Rowland Studer,Altec,Thiel Krell Accuphase Amcron Audio research Audax Bss Beyma Behringer Bryston Cayin Cabasse Conrad johnson Crown Denon Dynacor Dynavox Electrocompaniet Electrovoice Fostex Focal Flying mole Hiraga Hafler Harman kardon Infinity Jadis Jolida JBL Kora Luxman Melody Marantz Manley Mcintosh Mark Levinson NAD Nuforce Philips Pioneer Quad Rotel RCA RCF Sansui Sonic frontier Supravox Sony TAD Technics TEAC Threshold vitavox VTL Vitavox Western Wadia YBA Yaquin Yamaha Nakamichi Sansui Rotel Tascam mc intosh, audio rfrence, siare, cabasse, denon, advance acoustic, peerless , FIDETECH ...Accuphase, Acoustic, Energy Advance, Air Tight, Alchemist, Altec Lansing, Amcron, Anthem, Apertura, Arcam, ASR Atohm, Atoll, Audax, Audio Analogue, Labs, Physics Research, Technica, Audiolab, Audiomat, Audionet, Audioquest, Audiosynthesis ,Aura, Ayon Ayre, B&W, Bang & Olufsen, Bel Canto, Beyma vinyl, BO B&O Bose, Bowers And Wilkins, Brinkmann, Bryston, BW, Cabasse, Cairn Cambridge, Carat, Cardas, Cary, Castle Cayin, CEC C.E.C, Celestion, Cello, Chiltone, Chord, Classe Class, Conrad Johnson, Consonance Convertisseur, caisson de basse Creek Crest, Cyrus DAC Dali Davis DCS Drive Dynaudio Dynavoice EAR Yoshino Ecosse Elac Electrocompaniet Electrovoice Elipson Emotiva Epos Esoteric Esprit Etalon Exposure Fa Diese Fidetech Flac Focal Fostex Gamut Gemini Goldmund Goodmans Grado Grundig Gryphon Guru Harbeth platine Harman Kardon Heco Hegel Highland Hitachi Icos Infinity Jadis Jamo JBL Jean Marie Reynaud subwoofer Jecklin Jeff Rowland JMlab Tuner JM Lab JMR Jolida JVC Kef Kenwood KimberKlipsch Klipsh Kora Krell Lavardin Lecteur CD SACD Leben Linn Luxman M2Tech Magnepan Marantz Mark Levinson Martin ASD Logan Mcintosh Mc Intosh k7 Melody Meridian Mridian Metronome Technologie Micromega Mimetism Mission MIT Mixvibes ampli Monitor Moon Mordaunt Short Moscade MP3 MPC Mulidine hifi Musical Fidelity Myriad Nad Nagra Naim Nakamichi Note Numark Oehlbach Onken Onkyo Onyx Origo Ortofon Paradigm Pass Philips Piega hdmi Pioneer Plinius Primaluna empli Primare Proac Pro Ac Proton Quad Quadral Quellis Reference Rega hi fi Restek Rane Revel Revox Rogers Roksan Rotel Sansui Scandyna Serato Sennheiser Siare Shanling Shure Siltech Sim Audio Simaudio Sonic Frontiers Sonus Faber Sony Spendor Sphinx Stanton Stax Stello Sugden Sunfire Supravox Swans Synergistic Synthesis T+A Tandberg Tangent Tannoy Tara Labs Taralabs Teac Technics Totem

Relisted as buyer could no longer collect. Please note this is a tube CD Player I cannot say how old the valves are or life expectancy other than they sound amazing The audiophile ( see reviews ) AYON CD 1 CD TOP LOADING TUBE CD PLAYER QUITE QUIRKY WITH LID AND PUCK ALSO QUIRKY AS TO PLAY THE START BUTTON HAS TO BE PRESSED TWICE BEFORE PLAY THIS INITIALISES AND READS THE DISC PLEASE READ THE REVIEWS AS THEY WILL SAY MORE THAN I CAN OTHER THAN I AGREE TOTALLY WITH THEM SELLING AS DOWNSIZING SET UPS DO NOT COME UP OFTEN WILL BE SENT VIA ROYAL MAIL UK PARCELFORCE FULLY INSURED SO EXPENSIVE SHIPPING UK £60 OVERSEAS £100

Audio Vovember 2021. Im Heft sind unter anderem folgende Themen/Tests/Gerätebesprechungen zu finden: News: Technics-Vollverstärker, ANCKopfhörer von Bose, Soundbar von Sonos, Endstufe von Symphonic Line, In-Ears mit ANC von Klipsch u.v.m. Wissen: So funktionieren passive MC-Step-up-Transformer D/A-WANDLER: Fidelice Precision DAC Line Magnetic LM-32DAC CD-Player: Music Hall c-dac15.3 Lautsprecher: Bowers & Wilkins 804 D4 JBL HDI-3800 Magnat Monitor Reference 5A Q Acoustics Q Active 400 One-Box-Systeme: Teufel Radio One Verstärker: Ayon Audio Scorpio II BC Acoustique EX-214 Plattenspieler: Pro-Ject Debut Pro Tonabnehmer: Pro-Ject Pick It Pro Phasemation PP-200 Phono-Verstärker Phasemation T-300 Netzwerk-Player: NuPrime Stream-9 Kopfhörer Zeitgeist Bye, Bye Britain JBL Tour One JLab Epic Air ANC Nothing Ear (1) MusIk: ALBUM DES MONATS: Donald FagenThe Nightfly: Live AUDIOPHILE CDS DES MONATS: Horton & Kantcheff - Rhapsody Of Virtuosity Mandoki Soulmates - Utopia ForRealists: Hungarian Pictures SCHÄTZE DES MONATS: Steely Dan - Northeast Corridor – Live! Joe Bonamassa -Time Clocks GEHEIMTIPP: 2Cellos - Dedicated INTERVIEW: Schiller - Der Musiker über sein großartiges neues Album „Epic“ REMASTER: Van der Graaf Generator, Loreena McKennitt, Klaus Schulze u.v.m NEUE JAZZ-CDS: Chick Corea, Silje Nergaard u.v.m Neue Klassik-CDS: Klangtipps: Bach, Berlioz u.v.m NEU AUF VINYL: Klangtipps: Audiophile Analog Collection Vol 2., Fanfare Ciocarlia Die Audio Bestenliste: neue und frühere Geräte im Klang- und Preisvergleich; Referenzen und Klassenreferenzen Viele ausführliche CD- bzw. Plattenbesprechungen Anzeigen aus der damaligen Zeit und mehr Zustand: Ohne CD Falls nicht ausdrücklich erwähnt, sind die Hefte immer ohne CD und sonstige Beilagen. Die Hefte sind auch alle mehr oder weniger gebraucht. Es können evtl. Markierungen bei der Announcen vorhanden sein. Auch ist vereinzelt der Adressaufkleber noch ganz bzw. teilweise vorhanden, es können auch noch Reste am Heft sein. Preisausschrauben wurden in der Regel ausgefüllt bzw. auch ausgeschnitten und sonstige Vorlagen zum Herausschneiden sind in der Regel entfernt. Ab und zu ist auch eine Plattenkritik ausgeschnitten. Abholung möglich oder Versand auf Kosten des Käufers. Versand erfolgt nach Zahlungseingang. Bezahlung muss innerhalb einer Woche erfolgen oder nach Vereinbarung mit mir. Erfüllunsort ist 69115 Heidelberg Nach der allgemeinen Regelung des Bürgerlichen Gesetzbuches (BGB) trägt grundsätzlich der Käufer das Risiko des Verlusts und der Beschädigung der Ware auf dem Transportweg (§ 447 Abs.1 BGB). Der Versand der Ware geschieht also auf Risiko des Käufers. Dieses Angebot ist privater, nicht gewerblicher Natur. „Verkauf gebrauchter Ware von Privat“. Keine Haftung für Tippfehler. Bei Abholung 2 Monate Funktionsgarantie, sonst: Verkauf abweichend vom geltenden Recht. Mit der Abgabe eines Gebotes verzichten Sie auf die gesetzlichen Garantie- und Gewährleistungsansprüche sowie auf Ihr Rückgaberecht (ausser bei Abholung).

AYON SPIRIT High End Stereo Röhren Vollverstärker gebraucht. Inzahlungnahme/Gebrauchtgerät. Das Gerät stammt aus einem tierfreiem und Nichtraucher Haushalt und ist aus 1. Hand. Das Gerät ist technisch und optisch in einem sehr guten gebrauchten Zustand. Fachmännisch geprüft und komplett durchgecheckt. Das Gerät wird in einer sicheren und sauberen Verpackung geliefert. Eine Direktabholung mit Vorführung ist natürlich möglich. Lieferumfang : 1 x AYON SPIRIT Röhren Vollverstärker, Netzkabel, Fernbedienung Schwarz wie Abgebildet. Achtung: Bei Abholung ist keine Zahlung via PayPal möglich! Ich gewähre für Gebrauchtgeräte 12 Monate Gewährleistung. Die MwSt ist nicht ausweisbar (§25 UStG Differenzbesteuerung)

Last revision.The condition is perfect.Complete set (box, case, instructions, lamps, certificate, I can even find a check) + different sets of lamps.

Relisted as buyer could no longer collect. Please note this is a tube CD Player I cannot say how old the valves are or life expectancy other than they sound amazing The audiophile ( see reviews ) AYON CD 1 CD TOP LOADING TUBE CD PLAYER QUITE QUIRKY WITH LID AND PUCK ALSO QUIRKY AS TO PLAY THE START BUTTON HAS TO BE PRESSED TWICE BEFORE PLAY THIS INITIALISES AND READS THE DISC PLEASE READ THE REVIEWS AS THEY WILL SAY MORE THAN I CAN OTHER THAN I AGREE TOTALLY WITH THEM SELLING AS DOWNSIZING SET UPS DO NOT COME UP OFTEN WILL BE SENT VIA ROYAL MAIL UK PARCELFORCE FULLY INSURED SO EXPENSIVE SHIPPING UK £60 OVERSEAS £100

Streamer / Dac / prampli Ayon S10 II Signature Appareil trs rcent, successeur du S10. Excellent tat. Vendu avec tous ces accessoires dorigine dont la tlcommande et lemballage. Achet doccasion chez un professionnel en Allemagne le 23/10/2022, il est garantie 1 an, soit jusquau 23/10/2023. Facture lappui bien-sr. Nhsitez pas me contacter pour plus dinformations si besoin. Pas mal dinformations aussi sur internet. Expdition possible en Europe uniquement. ################################## Streamer/Dac/Preamp Ayon S10 II Signature Very recent device, successor to the S10. Excellent condition. 220V. Sold with all these original accessories including the remote control and packaging. Bought second-hand from a professional in Germany (10/23/2022), guaranteed for 1 year. Supporting invoice of course. Dont hesitate to contact me for more informations if needed. Many informations are on internet. Shipping from France, to Europe only. Regards Compatible avec ; JBL ,Jeff Rowland Studer,Altec,Thiel Krell Accuphase Amcron Audio research Audax Bss Beyma Behringer Bryston Cayin Cabasse Conrad johnson Crown Denon Dynacor Dynavox Electrocompaniet Electrovoice Fostex Focal Flying mole Hiraga Hafler Harman kardon Infinity Jadis Jolida JBL Kora Luxman Melody Marantz Manley Mcintosh Mark Levinson NAD Nuforce Philips Pioneer Quad Rotel RCA RCF Sansui Sonic frontier Supravox Sony TAD Technics TEAC Threshold vitavox VTL Vitavox Western Wadia YBA Yaquin Yamaha Nakamichi Sansui Rotel Tascam mc intosh, audio rfrence, siare, cabasse, denon, advance acoustic, peerless , FIDETECH ...Accuphase, Acoustic, Energy Advance, Air Tight, Alchemist, Altec Lansing, Amcron, Anthem, Apertura, Arcam, ASR Atohm, Atoll, Audax, Audio Analogue, Labs, Physics Research, Technica, Audiolab, Audiomat, Audionet, Audioquest, Audiosynthesis ,Aura, Ayon Ayre, B&W, Bang & Olufsen, Bel Canto, Beyma vinyl, BO B&O Bose, Bowers And Wilkins, Brinkmann, Bryston, BW, Cabasse, Cairn Cambridge, Carat, Cardas, Cary, Castle Cayin, CEC C.E.C, Celestion, Cello, Chiltone, Chord, Classe Class, Conrad Johnson, Consonance Convertisseur, caisson de basse Creek Crest, Cyrus DAC Dali Davis DCS Drive Dynaudio Dynavoice EAR Yoshino Ecosse Elac Electrocompaniet Electrovoice Elipson Emotiva Epos Esoteric Esprit Etalon Exposure Fa Diese Fidetech Flac Focal Fostex Gamut Gemini Goldmund Goodmans Grado Grundig Gryphon Guru Harbeth platine Harman Kardon Heco Hegel Highland Hitachi Icos Infinity Jadis Jamo JBL Jean Marie Reynaud subwoofer Jecklin Jeff Rowland JMlab Tuner JM Lab JMR Jolida JVC Kef Kenwood KimberKlipsch Klipsh Kora Krell Lavardin Lecteur CD SACD Leben Linn Luxman M2Tech Magnepan Marantz Mark Levinson Martin ASD Logan Mcintosh Mc Intosh k7 Melody Meridian Mridian Metronome Technologie Micromega Mimetism Mission MIT Mixvibes ampli Monitor Moon Mordaunt Short Moscade MP3 MPC Mulidine hifi Musical Fidelity Myriad Nad Nagra Naim Nakamichi Note Numark Oehlbach Onken Onkyo Onyx Origo Ortofon Paradigm Pass Philips Piega hdmi Pioneer Plinius Primaluna empli Primare Proac Pro Ac Proton Quad Quadral Quellis Reference Rega hi fi Restek Rane Revel Revox Rogers Roksan Rotel Sansui Scandyna Serato Sennheiser Siare Shanling Shure Siltech Sim Audio Simaudio Sonic Frontiers Sonus Faber Sony Spendor Sphinx Stanton Stax Stello Sugden Sunfire Supravox Swans Synergistic Synthesis T+A Tandberg Tangent Tannoy Tara Labs Taralabs Teac Technics Totem

AYON SPIRIT High End Stereo Röhren Vollverstärker gebraucht. Inzahlungnahme/Gebrauchtgerät. Das Gerät stammt aus einem tierfreiem und Nichtraucher Haushalt und ist aus 1. Hand. Das Gerät ist technisch und optisch in einem sehr guten gebrauchten Zustand. Fachmännisch geprüft und komplett durchgecheckt. Das Gerät wird in einer sicheren und sauberen Verpackung geliefert. Eine Direktabholung mit Vorführung ist natürlich möglich. Lieferumfang : 1 x AYON SPIRIT Röhren Vollverstärker, Netzkabel, Fernbedienung Schwarz wie Abgebildet. Achtung: Bei Abholung ist keine Zahlung via PayPal möglich! Ich gewähre für Gebrauchtgeräte 12 Monate Gewährleistung. Die MwSt ist nicht ausweisbar (§25 UStG Differenzbesteuerung)

Streamer / Dac / prampli Ayon S10 II Signature Appareil trs rcent, successeur du S10. Excellent tat. Vendu avec tous ces accessoires dorigine dont la tlcommande et lemballage. Achet doccasion chez un professionnel en Allemagne le 23/10/2022, il est garantie 1 an, soit jusquau 23/10/2023. Facture lappui bien-sr. Nhsitez pas me contacter pour plus dinformations si besoin. Pas mal dinformations aussi sur internet. Expdition possible en Europe uniquement. ################################## Streamer/Dac/Preamp Ayon S10 II Signature Very recent device, successor to the S10. Excellent condition. 220V. Sold with all these original accessories including the remote control and packaging. Bought second-hand from a professional in Germany (10/23/2022), guaranteed for 1 year. Supporting invoice of course. Dont hesitate to contact me for more informations if needed. Many informations are on internet. Shipping from France, to Europe only. Regards Compatible avec ; JBL ,Jeff Rowland Studer,Altec,Thiel Krell Accuphase Amcron Audio research Audax Bss Beyma Behringer Bryston Cayin Cabasse Conrad johnson Crown Denon Dynacor Dynavox Electrocompaniet Electrovoice Fostex Focal Flying mole Hiraga Hafler Harman kardon Infinity Jadis Jolida JBL Kora Luxman Melody Marantz Manley Mcintosh Mark Levinson NAD Nuforce Philips Pioneer Quad Rotel RCA RCF Sansui Sonic frontier Supravox Sony TAD Technics TEAC Threshold vitavox VTL Vitavox Western Wadia YBA Yaquin Yamaha Nakamichi Sansui Rotel Tascam mc intosh, audio rfrence, siare, cabasse, denon, advance acoustic, peerless , FIDETECH ...Accuphase, Acoustic, Energy Advance, Air Tight, Alchemist, Altec Lansing, Amcron, Anthem, Apertura, Arcam, ASR Atohm, Atoll, Audax, Audio Analogue, Labs, Physics Research, Technica, Audiolab, Audiomat, Audionet, Audioquest, Audiosynthesis ,Aura, Ayon Ayre, B&W, Bang & Olufsen, Bel Canto, Beyma vinyl, BO B&O Bose, Bowers And Wilkins, Brinkmann, Bryston, BW, Cabasse, Cairn Cambridge, Carat, Cardas, Cary, Castle Cayin, CEC C.E.C, Celestion, Cello, Chiltone, Chord, Classe Class, Conrad Johnson, Consonance Convertisseur, caisson de basse Creek Crest, Cyrus DAC Dali Davis DCS Drive Dynaudio Dynavoice EAR Yoshino Ecosse Elac Electrocompaniet Electrovoice Elipson Emotiva Epos Esoteric Esprit Etalon Exposure Fa Diese Fidetech Flac Focal Fostex Gamut Gemini Goldmund Goodmans Grado Grundig Gryphon Guru Harbeth platine Harman Kardon Heco Hegel Highland Hitachi Icos Infinity Jadis Jamo JBL Jean Marie Reynaud subwoofer Jecklin Jeff Rowland JMlab Tuner JM Lab JMR Jolida JVC Kef Kenwood KimberKlipsch Klipsh Kora Krell Lavardin Lecteur CD SACD Leben Linn Luxman M2Tech Magnepan Marantz Mark Levinson Martin ASD Logan Mcintosh Mc Intosh k7 Melody Meridian Mridian Metronome Technologie Micromega Mimetism Mission MIT Mixvibes ampli Monitor Moon Mordaunt Short Moscade MP3 MPC Mulidine hifi Musical Fidelity Myriad Nad Nagra Naim Nakamichi Note Numark Oehlbach Onken Onkyo Onyx Origo Ortofon Paradigm Pass Philips Piega hdmi Pioneer Plinius Primaluna empli Primare Proac Pro Ac Proton Quad Quadral Quellis Reference Rega hi fi Restek Rane Revel Revox Rogers Roksan Rotel Sansui Scandyna Serato Sennheiser Siare Shanling Shure Siltech Sim Audio Simaudio Sonic Frontiers Sonus Faber Sony Spendor Sphinx Stanton Stax Stello Sugden Sunfire Supravox Swans Synergistic Synthesis T+A Tandberg Tangent Tannoy Tara Labs Taralabs Teac Technics Totem

AYON SPIRIT High End Stereo Röhren Vollverstärker gebraucht. Inzahlungnahme/Gebrauchtgerät. Das Gerät stammt aus einem tierfreiem und Nichtraucher Haushalt und ist aus 1. Hand. Das Gerät ist technisch und optisch in einem sehr guten gebrauchten Zustand. Fachmännisch geprüft und komplett durchgecheckt. Das Gerät wird in einer sicheren und sauberen Verpackung geliefert. Eine Direktabholung mit Vorführung ist natürlich möglich. Lieferumfang : 1 x AYON SPIRIT Röhren Vollverstärker, Netzkabel, Fernbedienung Schwarz wie Abgebildet. Achtung: Bei Abholung ist keine Zahlung via PayPal möglich! Ich gewähre für Gebrauchtgeräte 12 Monate Gewährleistung. Die MwSt ist nicht ausweisbar (§25 UStG Differenzbesteuerung)

eBay Shop Bewertungsprofil Weitere Auktionen MichSeite Ayon Sigma Tube DAC / PRE VERKAUF IM KUNDENAUFTRAG UVP war 3995 € DA Wandler Artikelnummer: 22810 EAN: nicht zutreffend Hersteller: Ayon Audio Herstellernummer: Nicht zutreffend Marke: Ayon Audio Modell: Sigma DAC Abspielbares Medienformat: AAC Produktart: Sigma DAC Beschreibung Im Auftrag unseres Kunden verkaufen wir seinen Ayon Audio Sigma DAC in Originalverpackung in von uns geprüftem Traumzustand. Das Gerät funktioniert einwandfrei und klingt fantastisch. Das Gerät weist, wie auf den Fotos zu erkennen, keine Gebrauchsspuren auf und ist absolut neuwertig. Auslaufmodel Das Gerät stammt aus einem Nichtraucherhaushalt! Zubehör: Stromkabel, Fernbedienung, Originalverpackung Das Gerät hat unser Kunde, bei uns im Dezember 2014 als Neugerät erworben. Eine Originalkaufrechnung vom Kunden ist vorhanden. Die Rechnung auf Ihren Namen bei diesem Artikel erfolgt unter Verwendung der Differenzbesteuerung gemäß § 25a UStG. (Die MwSt. Ist im Preis zwar entsprechend der Regelungen zur Differenzbesteuerung enthalten, ein Umsatzsteuerausweis auf der Rechnung jedoch nicht möglich.) Bei uns erhalten Sie ein 30 tägiges Rückgaberecht auch auf Produkte, die im Kundenauftrag verkauft werden. Somit können Sie sich in Ruhe ein Bild vom technischen und optischen Zustand verschaffen, ohne ein Risiko einzugehen. Achtung: Da wir im Auftrag eines Kunden verkaufen, bestehen jedoch keinerlei Gewährleistungsansprüche Kategorien AIV SONDERPOSTEN % Aktiv-Subwoofer Autoradios Autoradios Doppel DIN Autoradios mit Navigation Beamer / Projektoren Blu-Ray Player CD Player CD/MP3-Wechsler Centerlautsprecher DVB-T CarHifi DVD-Player und Recorder Einzelstücke Endstufen Kabel Kassettendecks Lautsprecher CarHifi Mini/-Micro Anlagen Mobile Navigation Moniceiver Moniceiver Doppel-DIN Monitore CarHifi Navigationsrechner PA-Beschallung Plasma & LCD TV Receiver HomeHifi Regallautsprecher Restposten SACD Player Sat Receiver Sonstige Standlautsprecher Subwoofer CarHifi Surroundanlagen Surround-Receiver Tuner (Radioteil) Verstärker CarHifi Vollverstärker Vorstufen Zubehör CarHifi Powered by MD Sound GmbH & Co. KG

Relisted as buyer could no longer collect. Please note this is a tube CD Player I cannot say how old the valves are or life expectancy other than they sound amazing The audiophile ( see reviews ) AYON CD 1 CD TOP LOADING TUBE CD PLAYER QUITE QUIRKY WITH LID AND PUCK ALSO QUIRKY AS TO PLAY THE START BUTTON HAS TO BE PRESSED TWICE BEFORE PLAY THIS INITIALISES AND READS THE DISC PLEASE READ THE REVIEWS AS THEY WILL SAY MORE THAN I CAN OTHER THAN I AGREE TOTALLY WITH THEM SELLING AS DOWNSIZING SET UPS DO NOT COME UP OFTEN WILL BE SENT VIA ROYAL MAIL UK PARCELFORCE FULLY INSURED SO EXPENSIVE SHIPPING UK £60 OVERSEAS £100

Ayon CD 1 SX, Cd Player, Dac, Preamp, Very Good Condition. Excellent condition Perfect working order. With 6h30 output stage Original remote and clamp for cd No original box Only two tiny marks (side and back), see pictures Usb dac, coaxial, optical XLR output and RCA Direct or preamp mode with volume control Europe delivery ok Ask me for details

Ayon Scorpio High End Röhren Vollverstärker kein Originalverpackung vorhanden Technisch EinwandfreiOptisch , Siehe Fotos ------------------------------------ Wij spreken Nederlands !!! We speak English!!! Parliamo italiano!!! Wir sprechen Deutsch!!!--------------------------- ------------------------------------------------------------------------Fragen zum Klang Um Ihre und unsere Zeit nicht unnütz zu vergeuden, beantworten wir keine Fragen zum Klang, z.B. wie das Gerät sich mit dem Lautsprecher x und den Kabeln y verhält. Noch Fragen?Bitte klicken Sie rechts oben im Kasten Angaben zum Verkäufer auf den Punkt Verkäufer kontaktieren!----------------------------------Please, it is not fair to ask what is the lowest price,if hes going to buy the items we sell, then send us the proposal via eBay and not via news,if we believe that the offer sie affordable accept it !!!thank you,---------------------------------------------------Bitte, es ist nicht fair zu fragen, was ist der niedrigste Preis,wenn sie vor haben aus unsere Artikel sortiment ernsthaft zu kaufen , dann senden Sie uns den Preisvorschlag über eBay und nicht über Nachrichten,wenn wir glauben dass ihre Preisvorschlag interessant ist, dann akzeptieren wir es !!!danke. -----------------------Hallo, eine Rückgabe ist kein problem,zu beachten ist, die Geräte soll in der gleiche Zustand sein wie sie erhalen haden, ohne Technische Problemen!!!ohne Kratzer oder sonstigen Gebrauchsspuren!!!der Verpackung soll der Original und kein Neutral sein!!!die Versandkosten ( Versand und Rückversand) trägt der Käufer!!!bei weiteren Fragen , stehen wir gerne zu Verfühgung. die Rückgabe geht an, W&W AudioDe Reulver 977544RT EnschedeNL------------------------------------------Wir geben drei Monaten Garantie für unsere Gebrauchte Geräte bei Neugeräte geben wir die Volle Garantie Erfolgt der Verkauf in Kommission für eine Privatperson ist weder die Mehrwertsteuer ausweisbar noch eine Gewährleistung gegeben ----------------------------------------- ------------------------------------------------------Kaufabwicklung: Die Zahlung sollte innerhalb 4 Werktage abgeschlossen sein. Oder Käufer und Verkäufer haben sich anders geeinigt, so können Sie zum Beispiel den Artikel Kaufen, durch eine Anzahlung sichern und zu einem späteren Zeitpunkt zahlen. (Diesbezüglich bitte im Vorfeld zu klären!)------------------------------------------------ Ein Hinweis noch zum mitgelieferten Zubehör: Auch wenn im serienmäßigen Lieferumfang eventuell mehr Zubehör enthalten sein sollte wird lediglich das mitgeliefert was unter Mitgeliefertes Zubehör auch aufgeführt ist International bidders please ask the shipping price to your country before placing a bid! Wir bieten eventuell auch Inzahlungnahme/Tausch von/mit anderen Geräten an. Eine Finanzierung ist leider nicht. Noch irgendwelche Fragen? Kein Problem, schickt uns eine Mail und wir werden diese selbstverständlich so schnell wie möglich beantworten. Bevor sie jedoch die Fragen stellen lesen sie sich bitte zuerst den Beschreibungstext sorgfältig durch, viele Fragen beantworten sich dann erfahrungsgemäß von selbst. Der Verkauf erfolgt differenzbesteuert gem. §25a UStG, daher kann die Umsatzsteuer auf der Rechnung nicht separat ausgewiesen werden. --------------------------------------------- W&W Audio De Reulver 97 7544 RT Enschede Inzahlungnahme und Verkauf von neuem und gebrauchtem hochwertigem Audio seit mehr als 20 Jahren Öffnungszeiten Enschede Montags geschlossen Dienstag: 12:00 bis 18:00 Uhr Mittwoch: 12:00 bis 18:00 Uhr Donnerstag: 12:00 bis 18:00 Uhr Freitag: 12:00 bis 18:00 Uhr Samstag: 12:00 bis 17:00 Uhr Sonntags geschlossen Verfügbar an allen Tagen und zu allen Zeiten nach Vereinbarung, Reservierung oder Terminvereinbarung über das Kontaktformular.

Streamer / Dac / prampli Ayon S10 II Signature Appareil trs rcent, successeur du S10. Excellent tat. Vendu avec tous ces accessoires dorigine dont la tlcommande et lemballage. Achet doccasion chez un professionnel en Allemagne le 23/10/2022, il est garantie 1 an, soit jusquau 23/10/2023. Facture lappui bien-sr. Nhsitez pas me contacter pour plus dinformations si besoin. Pas mal dinformations aussi sur internet. Expdition possible en Europe uniquement. ################################## Streamer/Dac/Preamp Ayon S10 II Signature Very recent device, successor to the S10. Excellent condition. 220V. Sold with all these original accessories including the remote control and packaging. Bought second-hand from a professional in Germany (10/23/2022), guaranteed for 1 year. Supporting invoice of course. Dont hesitate to contact me for more informations if needed. Many informations are on internet. Shipping from France, to Europe only. Regards Compatible avec ; JBL ,Jeff Rowland Studer,Altec,Thiel Krell Accuphase Amcron Audio research Audax Bss Beyma Behringer Bryston Cayin Cabasse Conrad johnson Crown Denon Dynacor Dynavox Electrocompaniet Electrovoice Fostex Focal Flying mole Hiraga Hafler Harman kardon Infinity Jadis Jolida JBL Kora Luxman Melody Marantz Manley Mcintosh Mark Levinson NAD Nuforce Philips Pioneer Quad Rotel RCA RCF Sansui Sonic frontier Supravox Sony TAD Technics TEAC Threshold vitavox VTL Vitavox Western Wadia YBA Yaquin Yamaha Nakamichi Sansui Rotel Tascam mc intosh, audio rfrence, siare, cabasse, denon, advance acoustic, peerless , FIDETECH ...Accuphase, Acoustic, Energy Advance, Air Tight, Alchemist, Altec Lansing, Amcron, Anthem, Apertura, Arcam, ASR Atohm, Atoll, Audax, Audio Analogue, Labs, Physics Research, Technica, Audiolab, Audiomat, Audionet, Audioquest, Audiosynthesis ,Aura, Ayon Ayre, B&W, Bang & Olufsen, Bel Canto, Beyma vinyl, BO B&O Bose, Bowers And Wilkins, Brinkmann, Bryston, BW, Cabasse, Cairn Cambridge, Carat, Cardas, Cary, Castle Cayin, CEC C.E.C, Celestion, Cello, Chiltone, Chord, Classe Class, Conrad Johnson, Consonance Convertisseur, caisson de basse Creek Crest, Cyrus DAC Dali Davis DCS Drive Dynaudio Dynavoice EAR Yoshino Ecosse Elac Electrocompaniet Electrovoice Elipson Emotiva Epos Esoteric Esprit Etalon Exposure Fa Diese Fidetech Flac Focal Fostex Gamut Gemini Goldmund Goodmans Grado Grundig Gryphon Guru Harbeth platine Harman Kardon Heco Hegel Highland Hitachi Icos Infinity Jadis Jamo JBL Jean Marie Reynaud subwoofer Jecklin Jeff Rowland JMlab Tuner JM Lab JMR Jolida JVC Kef Kenwood KimberKlipsch Klipsh Kora Krell Lavardin Lecteur CD SACD Leben Linn Luxman M2Tech Magnepan Marantz Mark Levinson Martin ASD Logan Mcintosh Mc Intosh k7 Melody Meridian Mridian Metronome Technologie Micromega Mimetism Mission MIT Mixvibes ampli Monitor Moon Mordaunt Short Moscade MP3 MPC Mulidine hifi Musical Fidelity Myriad Nad Nagra Naim Nakamichi Note Numark Oehlbach Onken Onkyo Onyx Origo Ortofon Paradigm Pass Philips Piega hdmi Pioneer Plinius Primaluna empli Primare Proac Pro Ac Proton Quad Quadral Quellis Reference Rega hi fi Restek Rane Revel Revox Rogers Roksan Rotel Sansui Scandyna Serato Sennheiser Siare Shanling Shure Siltech Sim Audio Simaudio Sonic Frontiers Sonus Faber Sony Spendor Sphinx Stanton Stax Stello Sugden Sunfire Supravox Swans Synergistic Synthesis T+A Tandberg Tangent Tannoy Tara Labs Taralabs Teac Technics Totem

Ayon S10 II, zwei Jahre alt. Funktioniert tadellos und einwandfrei, inkl. OVP. Kleine optische Mängel auf der Oberseite wie auf den letzten beiden Fotos zu sehen. Klingt aufgrund der Röhre traumhaft. Keine Gewährleistung, keine Rücknahme.

Ayon S10 II, zwei Jahre alt. Funktioniert tadellos und einwandfrei, inkl. OVP. Kleine optische Mängel auf der Oberseite wie auf den letzten beiden Fotos zu sehen. Klingt aufgrund der Röhre traumhaft. Keine Gewährleistung, keine Rücknahme.

Very Nice Set of 6SN7GTB RCA Tubes. For that BIG Vintage Sound! Set of 7. Check out the rest of this collection on other auctions.

The audiophile ( see reviews ) AYON CD 1 CD TOP LOADING TUBE CD PLAYER QUITE QUIRKY WITH LID AND PUCK ALSO QUIRKY AS TO PLAY THE START BUTTON HAS TO BE PRESSED TWICE BEFORE PLAY THIS INITIALISES AND READS THE DISC PLEASE READ THE REVIEWS AS THEY WILL SAY MORE THAN I CAN OTHER THAN I AGREE TOTALLY WITH THEM SELLING AS DOWNSIZING SET UPS DO NOT COME UP OFTEN WILL BE SENT VIA ROYAL MAIL UK PARCELFORCE FULLY INSURED SO EXPENSIVE SHIPPING UK £60 OVERSEAS £100

Ayon engineering, top crafted, with best drivers and materials, parts and wires in Hi-Fi segment today. Accuton ceramic, perfect in pair tweeters results with holografic stage from wall to wall. Seas beautiful caracteristics midbass, delivers in real, voices and timbar of classical instruments, where every muzical piece, composition or jazz standard is thrill music experience. With Vaic unique Variovent bass port, bass is very deep(35Hz), fast and controled. Hand crafted silver wireing and best Mundorf and MKP Foil in Oil crossover parts with point to point silver soldering give you that extra moment of space, imagining and nature sound and focus which not exist in other brands in price category to 20.000. Final finish and varnish in 10 layers brown in autoclaw for carbon parts, give that unique texture of exquisite workmanship and impressive beauty. Must see and feel for yourselfes how different, from every other loudspeakers you can hear and feel today, is really about. With impressive high 45cm, depth 40cm and width 24cm they looks stunning live. Weight of 25kg each. With sensitivity 94dB you dont need too strong amplifiers but must be good quality for true Hi-End experience. Enjoy in revolucionary good speakers, because music is all about feeling ........ Its the favour for my friend, please contact me first! Thanks !