Normal 0 21 false false false MicrosoftInternetExplorer4 Ich biete hier ein hochwertiges Museales und seltene Walkman – Diktiergerät Dies ist wohl wirklich der erste Walkman- Diktiergerät von Sony Japan. !!!!!!!!!!!!!! Nicht so wie sonst im Internet proklamiert scheint seit 1979 das Model TPS L2 der erste Walkman zu sein, sondern dieses. Es handelt sich um den sog. TAPECORDER. Ziemlich selten!!!!!!!!!!!!!!!!!! Neu Antriebsriemen gemacht und alle Kontakte gereinigt. !!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! Nur der Zähler Riemen ist alt geblieben, weil die Erneuerung viel Aufwand ist. !!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! BEACHTEN SIE DIE ORIGINAL BILDER !!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! Ein Sammlerstück. hervorragende Aufnahme Qualität! Dieses Model gab es bereits einige Jahre vor den Modellen TPS L2, der DD Reihe, dem WM 6-DC oder der TCD- Reihe. Laut Internet liegt das Herstellungsdatum zwischen 1973-1974. Also der Zustand ist wie gesagt gut, Einpaar Gebrauchsspuren sind vorhanden. Er macht was es machen soll. Funktionstüchtig Benötigt 4x AA Batterien. Buchsen: MIC / Remote / Monitor / DC IN 6V Auf dem Walkman die Knöpfe für: REC / FF/CUE / FWD (PLAY) / STOP / REW EJECT BUTTON und Zähler START / STOP MUSIC / SPEECH VOLUME REC / BATT Ein tolles Retro Stück der Vergangenheit. - Für Hi-Fi Nostalgien !!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! Zum beweis, dass Walkman voll funktionsfähig ist, habe ich Funktionen gefilmt. Auf Wunsch kann ich sie per Email schicken. !!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! When launched, the TC-55 was the latest in a line of miniature cassette recorders from Sony. Models such as the TC-40 and TC-50 (which was used on the NASA moon missions) had set the standard for sturdy, high quality recorders that found many applications in business and industry as well as for the private user. Even today there are still “bootleg” recordings of concerts in circulation made using a TC-55, its small size, stable transport and unusually good internal microphone made it ideal for this task. The quality and finish of the TC-55 was outstanding. All the exterior surfaces were metal - some pressed, some die-cast. The machine felt very solid, and weighed about twice as much as one would have expected. The mechanical sections were exceptionally well made too, with the minimum of plastic parts and proper bearings at all points. Dual counter-rotating flywheels were used to counteract tape speed disturbances caused by the movement of the machine and the motor was servo controlled, in order to give a constant speed throughout the life of the batteries. The electronics showed good attention to detail too, with high-specification components and a minimum of electrolytic capacitors in the signal path. The batteries fitted into a clip-on holder at the bottom of the case. A rechargeable nickel cadmium battery pack was available as an option, which was charged whilst fitted to the recorder by connecting a mains or car adaptor to the DC input socket. For easy recording, automatic level control was fitted, though a meter was still provided to ensure that what was to be recorded was “in range”. The meter was placed next to the microphone so that is was clearly visible during dictation. The automatic level control could be switched so that was optimised for either speech or music recording. Large keys at the top of the case operated the tape transport. All the usual functions were there, as well as an unusual “cue” function which was in effect playback but with the motor running much faster. The TC-55 demonstrated conclusively that “Made in Japan” did not have to mean “cheap” or “nasty”. Its quality of construction was at least on par with that offered by the established European manufacturers (e.g. Uher of Germany), though this came at a price: in England it cost about three times as much as a basic Philips cassette recorder. The TC-55 included an earphone socket which silenced the loudspeaker, so in theory it could have been used as a compact portable replay machine. It was larger than the first Walkmans which appeared six years later, but not by much. Removing the loudspeaker and recording circuitry would have made room for a stereo amplifier, but although the technology was available for the Walkman to happen, the idea was not yet ready. To prove that the Walkman is fully functional, I filmed features. On request I can send them by email. !!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! Alle offene Fragen bitte vor Abgabe eines Gebotes klären! Der Artikel wird so verkauft wie er auf den Bildern zu sehen ist. Spätere Reklamationen sind ausgeschlossen. Entweder vorab besichtigen oder nachher akzeptieren. Wer damit nicht einverstanden ist, bitte einfach nicht bieten! Es handelt sich um einen Privatverkauf, daher sind die Rückgaberechte bzw. Garantieansprüche ausgeschlossen. Die Ware wird sofort nach Geldeingang versendet.