Available in this auction is a gorgeous Mark Levinson NO. 26 Dual Monaural Preamplifier with the optional balanced input module. You either already have, or will need to obtain, the outboard power supply PLS-226 (not included). These are available on eBay and elsewhere. This NO. 26 will include the power supply interconnect cable pictured in the image gallery. This is classic Mark Levinson, built like a battleship. I have the original OEM shipping materials (dense foam) and box (shown in images). I also have the OPERATING MANUAL AND COMPLETE SERVICE MANUAL courtesy of Madrigal Audio Laboratories. In order to answer some of your questions, concerns, and requests, I have added a video to the image gallery demonstrating the NO.26 operating in a temporary setup connected to a H.H.Scott 222c and it is sounding as sweet as ever and functioning perfectly. (Things are more organized than they may appear ????). Some details from a Stereophile review by John Atkinson: The No.26 is the first Mark Levinson preamplifier to be designed by Madrigal Audio Laboratories. Only the third wholly new component to come from ML since the company was taken over by Madrigal, the No.26 was launched at the 1988 WCES and consists of a neat, black-finished preamplifier chassis with a remote power supply, connected via a lead with 9-pin connectors on each end. The power supply must be placed away from the preamp chassis, or, if it must be next to it, to its right, away from the phono circuitry. The preamp chassis has a sculptured, black anodized, 3/8-thick front panel, with the labeling inset in white in traditional Mark Levinson style. Milled circular counterbores recess all the knobs. The main controls, level and input select, utilize the regular ML-style flanged knobs and occupy the center of the faceplate. To their left and right are triads of smaller knobs, to control the subsidiary functions. On the left are the two tape-loop controls, one switching between tape loop 1 and tape loop 2, the monitor switch also offering a third defeat position where the tape loops are completely out of circuit. An even smaller switch offers the choice between inversion and non-inversion of absolute signal polarity. The soundstage controls are to the right, the stereo/mono switch and balance controls, the individual level-adjust controls for each channel offering a maximum swing of ±5dB in detented 1dB steps. On the rear panel, all inputs and outputs are implemented with unbalanced Camac sockets with gold-plated contacts. Though totally incompatible with conventional jacks, these give a locking, gas-tight connection with the ground made first. (If only Camacs, developed by the European nuclear industry for instrumentation purposes, had been adopted as the industry standard rather than the clunky RCA system!) The main disadvantage is the need to use adaptors if the No.26 is to be used with source components having RCA output sockets—as nearly all do. Madrigal supplies both female and male Camac-to-phono adaptors, the latter seeming more mechanically robust. In practice, one would expect the dealer to fit Camacs to at least the customers turntable leads. In addition, the No.26 provides gold-plated three-pin Neutrik XLR sockets both to deliver balanced outputs for each channel and to offer the option of a balanced input. This, Madrigal feels, is a superior method of implementing a true balanced connection to using two pairs of unbalanced RCA connections, one inverting, one non-inverting. It enables the optimum cable to be used for balanced operation, this consisting of an intimately twisted pair to give the maximum common-mode noise rejection. Balanced input? The No.26 offers perhaps the widest range of input options Ive seen. The appropriate position of the input-selector switch is labeled PHONO/AUX 2. In its most basic form, the No.26 lacks any disc circuitry, this pair of Camacs offering a sixth line-level input. An increase in price of $660 gets the customer a conventional, unbalanced-input, moving-magnet module, the gain switchable between 38dB or 44dB; an extra $760 over the basic price gets an unbalanced MC module, the gain again being switchable but now between 58dB or 64dB. To come in the future will be first a balanced line-level input module, to be used with such CD players as the Accuphases and Denons that have balanced outputs or with professional tape recorders, using the XLR sockets already installed. After that, an outboard phono preamp will become available. Input impedance for the line-level inputs is 14k ohms in parallel with 220pF. Output impedance is not stated, but the load impedance should be 600 ohms or greater. Maximum output voltage is 6V, unbalanced. The No.26 should have no problems driving long cables. The tape outputs, however, should see at least 10k. How about the circuitry? Taking the fundamentals first, as with the Krell KRS2, another no-compromise preamplifier, there is no on/off switch, the No.26 being intended to be left on all the time. The PLS-226 power supply incorporates AC RF filtration and spike suppression and delivers two pairs of rectified and smoothed ±27V rails; these are then regulated to deliver completely separate ±17V supplies to each channel of the phono- and line-level circuits. The umbilical also supplies a completely separate supply to drive the signal-switching relays. Conventionally, either the input signals are taken via long pcb traces or ribbon cable to a preamps front-panel input selector, or the switches have long extenders between the knob and the switch body, which is positioned at the rear, near the input sockets. The Madrigal design team felt that even the latter compromises the integrity of the signal; instead, they chose to use high-quality, hermetically sealed relays, using bifurcated, gold-plated silver contacts. The front-panel switches control just the DC relay-operating voltages. As well as allowing a switching topology to be used which minimizes the number of contacts in the signal path (there being only two contacts between any source and the main outputs and only one between any source and either of the tape outputs), the relays can be placed adjacent to the input sockets on the rear panel, minimizing the crosstalk between inputs. These relays are said to have a lifetime in excess of 10 million operations and are also used to implement the phase-inversion and tape-monitor switching. The only front-panel controls that operate directly on the signal are, in fact, the balance and mono/stereo switches, and the volume control. The latter is a silky-feeling Penny & Giles conductive-plastic component, with interchannel tracking specced at better than 0.5dB, even at maximum attenuation. (Ben Duncan, having investigated the possibility of using a similar pot in his passive preamp design, (footnote 3) informs me that this is a _very_ expensive component.) The gain of the line-level stage can also be set internally via DIP switches at 6, 12, or 18dB via the unbalanced Camac outputs. (The balanced XLRs offer an additional 6dB gain due to the fact that twice the peak voltage exists between the hot and cold signal lines as exists between either one and ground.) Taken in conjunction with the adjustable gain of the phono stage and the range of the balance controls, the No.26s gain structure can be configured to give the best balance between sensitivity and noise for any source and loudspeaker. Nearly all the circuitry is carried on one large double-sided pcb occupying the entire internal area, the exceptions being: the output switching plus the absolute-phase inversion switching, both contained on a shallow double-sided pcb running the length of the back panel; and the phono circuitry, carried on an approximately 9 x 4.5 double-sided pcb piggybacked over the mother pcbs left-hand side, and connected to it by soldered connections using flat, insulated, solid-core ribbon conductors. Factory-set to an input impedance of 1nF in parallel with 825 ohms (MC), or 47k in parallel with 100pF (MM), the phono boards carry DIP switches offering 30, 100, 825, and 10k options (MC), or 825, 10k, 22k, and 47k options (MM), in addition to a user-defined setting in which resistors and capacitors can be plugged into gold-plated circuit-board jacks. A quick check of the RIAA EQ revealed any error to be below that of my inverse-RIAA network. This phono amp is _flat_! The response also extends well into the infrasonic region, implying that any turntable/arm/cartridge to be used with the No.26 will have to be of at least Linn standard, if very-low-frequency problems are not to be faithfully passed on to the power amp and speakers. Those familiar with earlier Mark Levinson electronics, where elaborate heatsinking was used on the various modules to ensure that the transistors accurately tracked one another thermally, will find the No.26s interior a surprise. The circuits have been designed not to need the mechanical thermal coupling previously used, resulting in a cleaner-looking layout. Despite the pcb commonality, construction is totally dual-mono, the regulated power supplies being separate for each channel, the board layout also keeping the channels separate—LH channel to the front, RH to the rear. High-quality parts are used throughout: Roderstein, WIMA, and RIFA polypropylene-dielectric capacitors; close-tolerance, metal-film resistors; and all transistors and end-mounted resistors and diodes are supported by plastic cradles. Add in a labor-intensive quality-control procedure, where every stuffed pcb is checked visually before even being powered up, and the No.26s performance should remain consistent over many years of service.

Topqualität Produkt Mark-Levinson No534 Dual Monaural Stromverstärker #11Das Datenblatt dieses Produkts wurde ursprünglich auf Englisch verfasst. Unten finden Sie eine automatische Übersetzung ins Deutsche. Sollten Sie irgendwelche Fragen haben, kontaktieren Sie uns.ZahlungSeien Sie versichert, dass unser Shop eine Vielzahl von Zahlungsmethoden anbietet.Bitte zahlen Sie innerhalb von 5 Tagen nach Auktionsende.Über unsWir sind in Japan ansässig. Überprüfen Sie bei elektrischen Produkten den Hersteller und das Produkt und rechnen Sie die Spannung in das jeweilige Land um. Wir planen den Versand per FedEx oder DHL. Bitte kontaktieren Sie uns, da sich die Versandkosten in einigen Fällen ändern können. Es ist uns eine Freude, Sie glücklich zu machen, indem wir Ihnen unseren empfohlenen Artikel vorschlagen.Wenn Sie Fragen oder Wünsche zu Artikeln haben, wenden Sie sich bitte an uns.Internationale Käufer – Bitte beachten Sie:-Einfuhrzölle, Steuern und Gebühren sind nicht im Artikelpreis oder den Versandkosten enthalten. Diese Gebühren liegen in der Verantwortung des Käufers.- Bitte erkundigen Sie sich vor dem Bieten/Kauf beim Zollamt Ihres Landes, wie hoch diese zusätzlichen Kosten sein werden.-Diese Gebühren werden normalerweise von der liefernden Spedition (Versandfirma) oder bei der Abholung des Artikels erhoben – verwechseln Sie sie nicht mit zusätzlichen Versandkosten.-Wir kennzeichnen Warenwerte nicht unter dem Wert und kennzeichnen Artikel nicht als Geschenke. Die Vorschriften der US-amerikanischen und internationalen Regierung verbieten ein solches Verhalten.]]>Wir sind in Japan ansässig. Überprüfen Sie bei elektrischen Produkten den Hersteller und das Produkt und rechnen Sie die Spannung in das jeweilige Land um. Wir planen den Versand per FedEx oder DHL. Bitte kontaktieren Sie uns, da sich die Versandkosten in einigen Fällen ändern können. -Einfuhrzölle, Steuern und Gebühren sind nicht im Artikelpreis oder den Versandkosten enthalten. Diese Gebühren liegen in der Verantwortung des Käufers. -Diese Gebühren werden normalerweise von der liefernden Spedition (Versandfirma) oder bei der Abholung des Artikels erhoben – verwechseln Sie sie nicht mit zusätzlichen Versandkosten. -Wir kennzeichnen Warenwerte nicht unter dem Wert und kennzeichnen Artikel nicht als Geschenke. Die Vorschriften der US-amerikanischen und internationalen Regierung verbieten e Receiver Combo Features NA Number of Inputs NA Year Manufactured NA Audio Outputs NA Country/Region of Manufacture NA Unit Quantity NA Supported Modes NA Power NA Type NA Brand Mark Levinson Audio Inputs NA Compatible Product NA California Prop 65 Warning NA Number of Channels NA Number of Outputs NA Unit Type NA Country Japan UPC NA Manufacturer Warranty NA Model NA Surround Sound Formats NA Amplifier Class NA Features NA Color NA MPN NA

PaymentRest assured that our store offers a variety of payment methods.Please pay within 5 days after auction is finished. About UsWe are located in Japan.For electrical products check the manufacturer and product and convert to the voltage of each country.We plan to ship by FedEx or DHL.Please contact us as the shipping fee can be changed in some cases. Its our pleasure to make you happy by proposing our recommend item.If you have any questions or request about items please feel free to ask us. International Buyers - Please Note:-Import duties taxes and charges are not included in the item price or shipping charges. These charges are the buyers responsibility.-Please check with your countrys customs office to determine what these additional costs will be prior to bidding/buying.-These charges are normally collected by the delivering freight (shipping) company or when you pick the item up - do not confuse them for additional shipping charges.-We do not mark merchandise values below value or mark items as - gifts - The US and International government regulations prohibit such behavior.>

PARTS ONLY SOLD AS IS Left channel outRight channel distorted and muffled.

Mark Levinson NO534 Dual-Monaural Amplifier - NO534The pursuit of perfect amplification is a well-known theme in high-end audio. New technologies present new approaches, while looking to the past provides inspiration for the future. It was in that spirit that the Mark Levinson® ? 534 amplifier was developed: a design advised by the traditions and art of classic Mark Levinson amplifier designs, and with a specific target sound: a deep, expansive soundstage, accurate image placement, extended low bass response with good pitch definition, and detailed high frequencies free from “etching.” To that end, the Mark Levinson engineering team started with the following requirements:Harmonic distortion <0.02% at 1kHz and <0.2% at 20kHzBandwidth extending from 0.2Hz to 120kHz, and beyond if possibleCritically damped square wave response, with leading and trailing edges free of any slewing artifacts, and a slew rate of at least 100V/µsMaximized open-loop linearity and bandwidth, with global negative feedback in the range of 12-20dB and without nested feedback loopsThis fully differential, fully discrete, dual-monaural Pure Path amplifier drives virtually any loudspeaker effortlessly for impeccable imaging, musicality, and openness. A direct-coupled signal path; a highly linear, low-feedback design; and voltage gain and drive stages operating in class A, are joined by the modern system integration capabilities provided by Ethernet, RS-232, and USB for monitoring and network control. Housed in a 6000-series aluminum chassis, like all Mark Levinson equipment, the ? 534 is designed and handcrafted in the USA.Mark Levinson Pure Path Circuit DesignSince 1972, Mark Levinson has been dedicated to the uncompromising art of sound, with the guiding principle of musical purity above all else. To achieve that goal like never before, Mark Levinson engineers scoured company archives, ultimately developing a circuit-design philosophy called Pure Path. On a conceptual level, its hallmark principles include a discrete, direct-coupled, fully balanced, dual-monaural signal path that delivers unrestricted, uncompromised sonic purity.Far from merely arranging high quality components in an intelligent manner, Pure Path is the meeting of science and art: Mark Levinson engineers are tasked to create the best possible measured AND subjective performance. To quote Albert Einstein: “Everything should be made as simple as possible, but not simpler.”Pure Path highlights in the ? 534 include Folded Cascodes, an extremely high bias current, and usage of very little negative feedback.The Folded CascodeMark Levinson components are designed around a Pure Path amplifier circuit concept that makes heavy use of a circuit design element called a cascode. Originally created for improving the bandwidth of vacuum tube circuits in radios, Mark Levinson engineers deploy cascodes in Pure Path circuit designs to both improve bandwidth and enhance linearity. A cascode combines two transistors so that they operate as a single composite device that functions like a single transistor, using the wanted characteristics of each component transistor, and rejecting the unwanted characteristics.Mark Levinson engineers began their design of the gain stage with pairs of JFETs (junction field-effect transistors), chosen for their low noise and high gain. JFETs achieve these characteristics in part by being large, and with their large size comes nonlinear gain – or distortion. To mitigate this, BJTs (bipolar junction transistors) were added to the circuit. The BJTs exhibit very low input impedance and very high output impedance, which translates to excellent bandwidth and linearity. By creating a cascode of the JFETs and BJTs, they created a design with the best characteristics of both sets of devices.Engineers then connected the output of the cascode to another transistor of the opposite “gender.” Current flows through it in the opposite direction to “turn around” the direction of the signal current. This special connection is called a Folded Cascode and it is a hallmark of the Pure Path circuit: high gain with low noise, wide bandwidth, and excellent linearity.Gain StructureThe audio circuitry in the ? 534 has been optimized for the best possible open-loop performance. As a result, very little negative feedback is necessary, and the amount employed could be adjusted to achieve certain subjective or objective results. The open-loop gain and bandwidth of the circuit were painstakingly set using precision resistors and compensation capacitors, and additional precision resistors were employed to compose the feedback network.Military Grade ComponentsAll Mark Levinson equipment employs electronic components carefully chosen for their specific task. Gain-stage JFET pairs have high gain, low noise, low distortion, and because they are encapsulated in the same package, the two devices operate under nearly identical conditions. Capacitors used in critical filtering locations are film types, noted for their consistent performance regardless of temperature and frequency. Finally, resistors in critical gain-setting and feedback locations use tantalum nitride thin-film elements. An extremely costly material, tantalum nitride typically finds use in sensitive military equipment because it is unusually stable with respect to temperature, exhibits very low noise, and is unaffected by magnetic fields. In fine audio equipment, those characteristics make the sound even more revealing and effortless, free of the low-level nonlinearities caused by lesser resistive materials as they heat and cool under dynamic conditions. Housed in an aircraft-grade 6063-T5 extruded aluminum chassis, the ? 534 features extremely high build precision, to exceedingly low tolerances.Completing the Signal PathThe ? 534 offers balanced and single-ended inputs for use with virtually any preamplifier or source player with variable output. For connection to loudspeakers without needing tools for a secure link, the ? 534 features four pairs of gold-plated binding posts with Mark Levinson Hurricane terminal knobs to support either standard or bi-wired loudspeaker connections. Speaker cables terminating in banana plugs can be used in the USA and other non-European countries. System-integration connectivity includes Ethernet/IP control, RS-232, USB for monitoring and configuration via web page, plus 12V triggers.Designed and Handcrafted in the USALike all Mark Levinson equipment, the ? 534 is proudly designed and handcrafted in the USA. A dedicated Engineering Center of Excellence in Shelton, CT houses Mark Levinson engineering and product development, just a state away from small-batch production at Mack Technologies in Westford, MA by a team of craftsmen who bring all Mark Levinson equipment to life.Features:Pure Path discrete, direct coupled, fully balanced, dual-monaural signal pathFully differential class-AB architecture, operates in class A for most listening conditions6000-series aluminum chassis, extremely high precision, exceedingly low tolerancesExpansive, fine imaging, extended low frequency response/pitch, and natural high frequenciesRated for 250wpc into 8 ohms, 500wpc into 4 ohms, with 2-ohm stabilitySystem-integration connectivity: Ethernet, IP, RS-232, triggers, web monitoring and controlPainstakingly optimized little negative feedback, bandwidth, slewing, and open-loop linearityCustom-designed, low noise toroid with separate secondary windings for each output stageDesigned and handcrafted in the USASpecifications:Input Connectors: One pair Balanced, one pair single-endedSpeaker Connectors:Four pairs of Hurricane loudspeaker outputsBanana-plug sockets per channel, except on 230 VAC versionControl I/O: Ethernet, RS-232, Trigger In and Out, USB-A, Mini USBRated Output Power: 250 wpc RMS @ 8?, 20Hz to 20kHz @ <0.3% THD, full output from 2.83VRMSFrequency Response: 10Hz to 20kHz ±0.2dBSignal-To-Noise Ratio: >85dB, reference level: 2.83 VRMSInput Impedance: 60 k? balanced; 30 k? unbalancedVoltage Gain: 26dBInput Sensitivity: 2.83VRMS output at 142mVRMS inputPower Requirements: 100V~, 120V~, 230V~, factory set for destination country, 1500WApproximate Dimensions:Height: 7 to 7.75Width: 17.75Depth: 20Approximate Weight:Unit: 107 lbsShipping: 124 lbs

Description: Solid-state dual-mono power amplifier. Frequency response: 20Hz-20kHz, ±0.1dB. THD: <0.5% (FTC). Power output: 125Wpc into 8 ohms (21dBW), 250W minimum continuous into 4 ohms (24dBW), 500Wpc minimum continuous into 2 ohms (27dBW), 500W into 8 ohms bridged (27dBW). Input impedance: 100k ohms balanced, 50k ohms single-ended. Voltage gain: 26.8dB. Input sensitivity: 130mV for 2.83V output, 1.44V for full output. Output impedance: ±0.05 ohms, 20Hz-20kHz. Damping factor: >800, 20Hz-20kHz into 8 ohms. S/N: >80dB (ref. 1W). Power consumption: typically 260W at idle, 110W in standby.Dimensions: 17.56 (446mm) W by 9.3 (237mm) H by 18.85 (479mm) D. Shipping weight: 112 lbs (50.9kg).Serial number: 1384Suitable for bridged operation and biamplification. Very good condition, regularly serviced from new. Minor scratches on various surfaces.Selling due to downsizing hi fi to an integrated unit. Owing to the size and, especially, weight of the unit I am unable to post / courier this unit. So sale is on the basis of buyer collect or reasonably local delivery.

[Description] Top surface has stains/scratches, etc.There is a ding on the corner of the heat sink.The side of the product is generally in good condition. This is the first Mark Levinson power amplifier series after the brand was taken over from MLAS to madrigal audio. 331L was the smallest power amplifier in the series, but it was also the fastest response amplifier in the series. It has a powerful power supply unit that doubles the output value when the speaker impedance value is reduced by 1/2 as per the theoretical value, achieving both high-torque and high-speed response. AccessoriesAC cable, XLR 1-3 jumper x 2 [Shipping] Free shipping by Fedex or DHL or EMS(Japan Post)Insured, Trackable, Including handling cost.Within 10 days of handling until shipment. Usually arrives in 3-7 days after shipping.However, items that require special time for customs clearance, or items with a remote destination will take longer. [International Buyers - Please Note] Import duties, taxes and charges are not included in the item price or shipping charges. These charges are the buyers responsibility. Please check with your countrys customs office to determine what these additional costs will be prior to buying. These charges are normally collected by the delivering freight (shipping) company or when you pick the item up do not confuse them for additional shipping charges. We do not mark merchandise values below value or mark items as gifts - US and International government regulations prohibit such behavior. Extend Peace Your Sound !!

Highlights:Externe Kühlkörper in KosmetikqualitätIP, RS-232, 12-V-Trigger ein/ausEntworfen und handgefertigt in den USAProduktinformationen:Erleben Sie mit dem ? 5302 lebendigen, dynamischen Klang bei jeder Lautstärke. Dieser hochwertige Verstärker ist flexibel, elegant und leistungsstark und liefert makellosen Klang – und viel Leistung – um High-End-Lautsprecher anzutreiben. Teilen Sie das volle Potenzial Ihrer Musik, während jedes komplizierte Detail um Sie herum Gestalt annimmt.Einwandfreie VerstärkungUmgeben Sie sich mit satten Klangwellen, die den gesamten Raum füllen. Das ? 5302 enthält ein robustes Netzteil, das im richtigen Moment genau die richtige Menge an Leistung liefert – damit Sie explosive Dynamik und subtile Details ohne Verzerrung erleben können.Flexible LeistungAls Bridgebale Dual-Mono-Verstärker kann der ? 5302 mühelos zwei Lautsprecher mit Strom versorgen oder so konfiguriert werden, dass er nur einen mit Strom versorgt. Dies gibt Ihnen die Möglichkeit, einen zweiten Verstärker für die doppelte Leistung hinzuzufügen, sodass Sie die ultimative Kontrolle über Ihr High-End-Audiosystem und Ihr Hörerlebnis haben.Ikonisches DesignMit mutiger Geometrie und luxuriösen Oberflächen ist die ? 5302 ebenso elegant wie kraftvoll. Die massiven Aluminiumplatten fließen nahtlos in ein elegantes Glasdisplay über. Eine große Standby-Taste wird von einem dezenten Ringlicht eingefasst, das den Betriebszustand anzeigt. Zusammen ergeben diese schönen Details einen atemberaubenden, hochwertigen Verstärker, der Ihr Audiosystem vervollständigt.Technische Daten:EingängeSymmetrische XLR- und unsymmetrische RCA-EingängeVerstärkungKanäle der Klasse AB: 2 x 135 Watt pro Kanal an 8 ?Die Leistung verdoppelt sich auf 270 Watt pro Kanal an 4 ?Leicht überbrückbar für Mono 1 x 550 W an 4 ? mit einem rückseitigen Schalter2? laststabil

Highlights:Externe Kühlkörper in KosmetikqualitätIP, RS-232, 12-V-Trigger ein/ausEntworfen und handgefertigt in den USAProduktinformationen:Erleben Sie mit dem ? 5302 lebendigen, dynamischen Klang bei jeder Lautstärke. Dieser hochwertige Verstärker ist flexibel, elegant und leistungsstark und liefert makellosen Klang – und viel Leistung – um High-End-Lautsprecher anzutreiben. Teilen Sie das volle Potenzial Ihrer Musik, während jedes komplizierte Detail um Sie herum Gestalt annimmt.Einwandfreie VerstärkungUmgeben Sie sich mit satten Klangwellen, die den gesamten Raum füllen. Das ? 5302 enthält ein robustes Netzteil, das im richtigen Moment genau die richtige Menge an Leistung liefert – damit Sie explosive Dynamik und subtile Details ohne Verzerrung erleben können.Flexible LeistungAls Bridgebale Dual-Mono-Verstärker kann der ? 5302 mühelos zwei Lautsprecher mit Strom versorgen oder so konfiguriert werden, dass er nur einen mit Strom versorgt. Dies gibt Ihnen die Möglichkeit, einen zweiten Verstärker für die doppelte Leistung hinzuzufügen, sodass Sie die ultimative Kontrolle über Ihr High-End-Audiosystem und Ihr Hörerlebnis haben.Ikonisches DesignMit mutiger Geometrie und luxuriösen Oberflächen ist die ? 5302 ebenso elegant wie kraftvoll. Die massiven Aluminiumplatten fließen nahtlos in ein elegantes Glasdisplay über. Eine große Standby-Taste wird von einem dezenten Ringlicht eingefasst, das den Betriebszustand anzeigt. Zusammen ergeben diese schönen Details einen atemberaubenden, hochwertigen Verstärker, der Ihr Audiosystem vervollständigt.Technische Daten:EingängeSymmetrische XLR- und unsymmetrische RCA-EingängeVerstärkungKanäle der Klasse AB: 2 x 135 Watt pro Kanal an 8 ?Die Leistung verdoppelt sich auf 270 Watt pro Kanal an 4 ?Leicht überbrückbar für Mono 1 x 550 W an 4 ? mit einem rückseitigen Schalter2? laststabil

Experience the pinnacle of audio quality with the Mark Levinson 331 Stereo Amplifier. This exceptional amplifier delivers breathtaking sound reproduction, capturing every nuance and detail of your favorite music.The Mark Levinson 331 is a high-performance amplifier designed to elevate your listening experience. With its robust construction and advanced engineering, it provides clean and powerful sound delivery. The boxless option allows for a more affordable price, making it an excellent choice for audiophiles who prioritize performance over packaging.Featuring high-fidelity audio reproduction, the Mark Levinson 331 ensures an immersive and lifelike soundstage. Its wide frequency response and low distortion guarantee accurate and precise sound reproduction across the entire audio spectrum. Whether youre a discerning music lover or a professional audio enthusiast, this amplifier will satisfy even the most demanding ears.While it doesnt include the original box, the Mark Levinson 331 is meticulously maintained and in excellent condition. It has been carefully tested and functions flawlessly, ready to deliver exceptional audio performance right out of the box.Upgrade your audio system with the Mark Levinson 331 Stereo Amplifier. Immerse yourself in the richness and depth of your music like never before. Dont miss out on this opportunity to own a piece of audio excellence. Bid or buy now! Technical Specification: Output Power: 100 watts per channel into 8 ohms, 200 watts per channel into 4 ohms Frequency Response: 20 Hz to 20 kHz (+0, -0.5 dB) Total Harmonic Distortion (THD): <0.1% at 1 kHz at rated power Signal-to-Noise Ratio: >95 dB Channel Separation: <0.01 dB Input Impedance: 50 k? Output Impedance: 0.05 ohms Damping Factor: >800 Tone Control: Bass and treble adjustment with ±3 dB at 100 Hz and 10 kHz Power Consumption: 300 watts Dimensions (WxHxD): 44.5 cm x 13.3 cm x 38.1 cm Weight: 60 kg Present slight scratches excellent technical conditionWithout Original Factory packages and manuals 1 Year Warranty Sent in 2-4 days after payment Please ask for any question

Highlights:Externe Kühlkörper in KosmetikqualitätIP, RS-232, 12-V-Trigger ein/ausEntworfen und handgefertigt in den USAProduktinformationen:Erleben Sie mit dem ? 5302 lebendigen, dynamischen Klang bei jeder Lautstärke. Dieser hochwertige Verstärker ist flexibel, elegant und leistungsstark und liefert makellosen Klang – und viel Leistung – um High-End-Lautsprecher anzutreiben. Teilen Sie das volle Potenzial Ihrer Musik, während jedes komplizierte Detail um Sie herum Gestalt annimmt.Einwandfreie VerstärkungUmgeben Sie sich mit satten Klangwellen, die den gesamten Raum füllen. Das ? 5302 enthält ein robustes Netzteil, das im richtigen Moment genau die richtige Menge an Leistung liefert – damit Sie explosive Dynamik und subtile Details ohne Verzerrung erleben können.Flexible LeistungAls Bridgebale Dual-Mono-Verstärker kann der ? 5302 mühelos zwei Lautsprecher mit Strom versorgen oder so konfiguriert werden, dass er nur einen mit Strom versorgt. Dies gibt Ihnen die Möglichkeit, einen zweiten Verstärker für die doppelte Leistung hinzuzufügen, sodass Sie die ultimative Kontrolle über Ihr High-End-Audiosystem und Ihr Hörerlebnis haben.Ikonisches DesignMit mutiger Geometrie und luxuriösen Oberflächen ist die ? 5302 ebenso elegant wie kraftvoll. Die massiven Aluminiumplatten fließen nahtlos in ein elegantes Glasdisplay über. Eine große Standby-Taste wird von einem dezenten Ringlicht eingefasst, das den Betriebszustand anzeigt. Zusammen ergeben diese schönen Details einen atemberaubenden, hochwertigen Verstärker, der Ihr Audiosystem vervollständigt.Technische Daten:EingängeSymmetrische XLR- und unsymmetrische RCA-EingängeVerstärkungKanäle der Klasse AB: 2 x 135 Watt pro Kanal an 8 ?Die Leistung verdoppelt sich auf 270 Watt pro Kanal an 4 ?Leicht überbrückbar für Mono 1 x 550 W an 4 ? mit einem rückseitigen Schalter2? laststabil